Michael Corcoran's latest book, "Austin Music is A Scene Not a Sound," provides an extensive 150-year history of the vibrant music scene in Austin. This literary work delves into the participatory nature of music, emphasizing the unique relationship between performers and their audiences. In Austin, this connection manifests through traditional dances as well as more modern expressions such as slam dancing and stage diving. The author, known for his sharp wit and deep musical knowledge, also explores lesser-known aspects of Austin's musical past, including its influential radio personalities and community hubs like Inner Sanctum and Waterloo Records. Despite his untimely passing, Corcoran leaves behind a legacy that captures the essence of Austin's rich musical heritage.

In the heart of Texas lies Austin, a city where music has always been more than just sound—it’s a cultural phenomenon. Michael Corcoran, a renowned columnist with a storied career spanning multiple publications, brings this idea to life in his latest book. His narrative begins with the German community's pivotal role in establishing Turner Hall in 1872, marking it as Austin's first dedicated music venue. Corcoran introduces readers to ensembles that shaped the local scene, such as Steve Gardner and His Hokum Kings, the all-female Texettes, and George Corley and His Royal Aces. These groups helped cultivate an environment where music was not merely performed but lived.

The book chronicles various eras, from post-war country to hardcore punk, highlighting iconic venues like the Armadillo World Headquarters and the Continental Club. Radio played a crucial role too, with figures like Joe Gracey influencing the 1970s Austin scene. Corcoran doesn’t shy away from detailing the contributions of Black disc jockeys at KVET and Tony Von at KTAE in Taylor. Community hubs like Inner Sanctum and Waterloo Records further solidified Austin's reputation as a musical epicenter. Through these details, Corcoran paints a vivid picture of how different elements came together to create something extraordinary.

Corcoran’s personal experiences add depth to the historical narrative, especially when he recounts nights spent at clubs like the Beach, the Black Cat, and Liberty Lunch. His recollections are filled with humor and insight, offering readers a glimpse into what made Austin music so appealing. As someone who grew up in Honolulu, Corcoran brought a fresh perspective to the scene, setting up shop on The Drag alongside his friend Rollo Banks. This blend of history and personal anecdotes creates a compelling read that resonates deeply with anyone interested in Austin's musical evolution.

While Corcoran aimed to complete his legacy by writing about Texas blues pioneer Blind Lemon Jefferson, his journey tragically ended last July. Nevertheless, his contribution remains invaluable. His book concludes in the late 1980s with the emergence of South By Southwest, leaving readers with a comprehensive understanding of how far Austin music has come. Even those who may not be fans of certain genres find enjoyment in Corcoran's writings due to his wit and insight. This book serves as both a tribute to his passion and a testament to the enduring spirit of Austin's music scene.