The Australian Chamber Orchestra (ACO), under the direction of violinist Richard Tognetti, delivered an extraordinary performance that redefined traditional concert norms. Accompanied by renowned pianist Alexander Melnikov, the ensemble presented a program rich in complexity and innovation. From Bach’s Ricercar a 6 to Shostakovich’s Piano Concerto No 1, the evening showcased not only technical mastery but also emotional depth. The musicians' ability to transform dissonance into beauty and elevate chamber music with dynamic contrasts left an indelible mark on the audience.
As the concert commenced, the ACO immediately captivated listeners with their rendition of Bach's Ricercar a 6. Arranged by Tognetti himself, this piece began with starkly discordant notes, creating a jarring yet mesmerizing atmosphere. The string players, wielding historic instruments, demonstrated exceptional skill as they blended harsh bow attacks with moments of liquid smoothness. Such versatility highlighted the ensemble's capacity to use even ugliness as an expressive tool.
In a smaller configuration, Melnikov joined the group for Bach's Brandenburg Concerto No 3. Here, the outer movements were characterized by rapid tempos and grounding bass lines provided by cellos and double basses. During these sections, Melnikov remained calm amidst the energetic swirl around him. His interaction with Tognetti during the second-movement cadenza added elegance and variety to the performance.
Shostakovich’s Piano Concerto No 1 further exemplified the duo's collaborative brilliance. Despite facing away from each other, Melnikov and Tognetti maintained a close musical connection. Their shared shifts in mood created a seamless blend of Romantic passion and biting neoclassicism. Trumpeter Jeroen Berwaerts contributed dazzling solos that brought circus-like flair to the piece.
The second half featured Sofia Gubaidulina’s Reflections on the Theme B-A-C-H, performed in near-darkness following her recent passing. This poignant tribute transitioned smoothly into more Bach compositions before concluding with Shostakovich’s Chamber Symphony. In this final segment, themes were treated delicately, akin to handling precious artifacts, while starkly vibrato-free melodies added raw power.
As the ACO approaches its 50th anniversary in 2025, it continues to defy conventions under Tognetti's leadership. What remains constant is the group's intensity, fearlessness, and insatiable curiosity. Through performances like this one, they reaffirm their status as pioneers in the world of classical music, offering audiences experiences that are both enlightening and unforgettable.