Apollo’s Fire, under the artistic direction of Jeannette Sorrell, is set to perform Johann Sebastian Bach’s iconic "Mass in b minor," a work widely regarded as one of the composer's greatest achievements. Known for her deep connection to Baroque music, Sorrell emphasizes the inherently spiritual nature of Bach’s compositions, asserting that they serve both divine glory and the renewal of the spirit. This performance caps off a season dedicated to exploring Bach’s works, showcasing not only the technical brilliance but also the emotional depth embedded within this monumental piece.

Jeannette Sorrell recalls her early fascination with Bach’s music, dating back to her teenage years when she immersed herself in period instrument recordings from Europe and the U.K. Her passion for the "Mass in b minor" began during high school when she acquired a John Eliot Gardiner CD of the work. Interestingly, despite her extensive experience conducting performances of the piece, Sorrell has never experienced it live outside of her own concerts with Apollo’s Fire. When asked whether performing such a revered composition intimidates her, Sorrell reveals that familiarity with early music traditions makes the task less daunting. She explains that using authentic instruments and appropriately trained vocalists allows the music to flow naturally, contrasting sharply with challenges faced by modern orchestras attempting similar feats.

The "Mass in b minor" presents an intriguing paradox: although composed by Bach, a Lutheran cantor responsible for weekly church services in Leipzig, the Catholic Mass form held little practical relevance to his position. Despite its lack of immediate utility, Bach crafted a setting that remains unparalleled in its grandeur and celebration. Sorrell notes that while some sections align with Lutheran practices, others extend beyond them, reflecting broader liturgical traditions. Furthermore, she highlights the importance of maintaining historically accurate ensemble sizes, arguing that smaller groups better capture the intended texture and clarity of Baroque sacred music.

Apollo’s Fire continues to thrive amidst Chicago’s evolving early music scene, distinguishing itself through regular series featuring renowned international talent. Their commitment to bringing period-instrument performances to audiences has been met with enthusiastic responses, evidenced by sold-out shows at venues like St. James Cathedral. Sorrell positions the "Mass in b minor" as Bach’s most exuberant choral creation, showcasing extraordinary virtuosity alongside profound spirituality. By pairing this masterpiece with earlier instrumental works like the Brandenburg Concertos, Apollo’s Fire creates a balanced seasonal program celebrating Bach’s diverse genius.

Apollo’s Fire aims to foster healing connections through their rendition of the "Mass in b minor." Sorrell believes that Bach’s music transcends mere entertainment, offering listeners access to universal goodness and inner peace—a message particularly resonant today. As they prepare for upcoming performances in Chicago and Evanston, anticipation builds among devoted fans eager to witness this transformative musical experience unfold live.