Chocolate MC, a prominent figure in urban music, recently expressed his discontent after learning that his hit song "Wow Pedro" was referenced on Cuban Television. The artist strongly opposes being featured on state-controlled media, perceiving it as an attempt to manipulate his image. Additionally, the segment critiqued the linguistic influence of urban music on Cuban youth, sparking further debate about the role of music in shaping language.
The controversy surrounding Chocolate MC extends beyond television appearances. His viral song "Wow Pedro," which gained immense popularity through social media platforms like TikTok and Instagram, has reestablished him as a key player in both Havana and Miami. Despite criticisms regarding grammar and content, Chocolate defends his artistry, emphasizing its reflection of everyday speech while acknowledging the responsibility to avoid explicit lyrics for younger audiences.
Chocolate MC firmly rejects any association with Cuban Television, asserting that such exposure misrepresents his artistic identity. In a live broadcast, he criticized how his work was used without consent, potentially misleading viewers into believing he supports the regime. This reaction underscores his commitment to maintaining independence from state media.
During the live session, Chocolate voiced concerns about appearing on television, fearing public confusion over his political stance. He emphasized never having experienced the privilege of inviting his mother to watch him on TV, highlighting the irony of now being showcased against his will. Furthermore, he distinguished himself from other artists mentioned in the same program, reinforcing his unique position within the urban music scene. His frustration stems from feeling exploited by authorities who may aim to dilute his critical message.
Beyond personal grievances, Chocolate MC’s music raises questions about the impact of urban genres on linguistic norms. Journalist Cristian Martínez González analyzed how reggaeton and rap contribute questionable constructions to daily conversation, using "Wow Pedro" as an example. While acknowledging potential grammatical issues, Chocolate defends his style as authentic representation of contemporary speech patterns.
Martínez’s analysis focused on the improper use of punctuation marks in phrases like “Wow, Pedro,” illustrating how these errors infiltrate mainstream communication. Chocolate acknowledges this critique but insists that his primary goal is capturing real-life expressions rather than adhering strictly to formal rules. He also recognizes the importance of exercising caution due to his broad audience base, including children. By defending his creative choices, Chocolate highlights the delicate balance between artistic authenticity and social responsibility. Ultimately, his stance reflects broader tensions between traditional language standards and evolving cultural influences shaped by modern music trends.