Through his vibrant and intimate portraits, photographer and musician Micah E. Wood offers a unique glimpse into Baltimore’s diverse music community. Over more than a decade, Wood has documented the city’s DIY artists, creating a visual time capsule that reflects both the past and future of this evolving metropolis. His latest book, "Scene Seen," captures musicians from various genres against the backdrop of Baltimore’s iconic urban landscapes. From rowhomes to parks, Wood’s images tell stories of creativity and resilience, showcasing how the city itself plays an integral role in shaping its musical identity. This work not only celebrates the artistry of local performers but also preserves moments that may never exist again, as Baltimore continues to transform.
Micah E. Wood’s journey into photography began during his high school years when he discovered the joy of capturing concert memories with a pocket camera. Initially drawn to music through playing violin in his school orchestra, Wood found a new passion in documenting live performances. However, he soon realized that concert photography often prevented him from fully enjoying the music. Seeking a deeper connection with his subjects, Wood shifted his focus to portraiture, which allowed him to engage personally with each artist. This approach enabled him to delve into their stories and create images rich in emotion and personality.
Wood’s transition from performer to photographer was influenced by his move to Baltimore to study at the Maryland Institute College of Art (MICA). Here, he majored in photography and minored in book design and making. His education laid the foundation for his first book, "Features," released in 2016. This project served as both a love letter to the music scene and a portfolio of his work. For "Scene Seen," Wood aimed to go beyond mere documentation, aiming to create an archival record of the city’s evolving musical landscape. Recognizing the transient nature of bands and the internet’s fleeting memory, Wood saw books as a way to preserve these stories for future generations.
The city of Baltimore is as much a character in Wood’s photographs as the musicians themselves. Each location chosen for a portrait holds significance, whether it’s a beloved park or a hidden alleyway. Wood’s process involves collaborating closely with artists to find places that resonate with them, ensuring that the environment complements their artistic expression. The rapid changes in Baltimore’s urban fabric add urgency to Wood’s work; many of the locations featured in "Scene Seen" have already been altered or lost. This adds a layer of nostalgia and importance to the images, capturing moments that are now part of history.
Color plays a crucial role in Wood’s photography, serving as a tool to convey mood and personality. He acknowledges the challenge of working with color, as perceptions can vary widely among viewers. Yet, for Wood, color is not just about aesthetics; it’s about ethics. Accurate color correction ensures that his subjects are depicted authentically, especially important when representing diverse skin tones. By mastering color, Wood ensures that his work honors both the individuals and the city he loves. His exploration of color has also evolved over time, influenced by teaching experiences and external factors like the pandemic, which pushed him to experiment with new compositions.
In addition to his photographic endeavors, Wood remains active in the music scene. Recently completing the drums for his first full-length album since 2019, he blends genres such as post-punk, disco, and funk. Featuring a live band, the album promises to be a dynamic showcase of Wood’s musical versatility. As he prepares for its release, Wood continues to bridge the worlds of photography and music, leaving an indelible mark on Baltimore’s cultural landscape. Through his lens and melodies, he invites us to experience the city’s vibrant heartbeat, preserving its essence for those who may never witness it firsthand.