In 1927, the New York Times critic Mordaunt Hall described "The Unknown" as a haunting and unsettling tale that defies conventional storytelling. Starring Lon Chaney as Alonzo, a limbless knife-thrower in a traveling circus, this film weaves a dark romantic melodrama with sinister undertones. The plot revolves around a love triangle involving Alonzo, Nanon (played by Joan Crawford), and the circus strongman. What unfolds is a complex narrative of deception, forbidden love, and psychological tension, all set against the backdrop of a carnival atmosphere. Restored to its former glory after being lost for decades, "The Unknown" stands out for its unique blend of horror and melodrama, offering audiences a rare glimpse into the silent film era's innovative storytelling techniques.
Unveiling the Secrets of a Hidden Gem
Chaney's portrayal of Alonzo, a man who fakes his armlessness, lies at the heart of this cinematic masterpiece. This character harbors a dark past and a hidden thumb, elements that add layers of complexity to his persona. The film's narrative explores themes of identity, deception, and justice, as Alonzo's true nature gradually comes to light. His relationship with Nanon, marked by her aversion to physical touch, adds a psychosexual dimension to the story. Crawford's performance as Nanon showcases her versatility and emotional depth, contributing significantly to the film's impact.
The film's setting—a traveling circus—provides a rich visual tapestry that enhances the eerie and dramatic elements of the plot. Director Tod Browning's expertise in crafting unsettling atmospheres is evident throughout. The cinematography captures the carnival's vibrant yet ominous ambiance, while the characters' interactions reveal deeper psychological struggles. Alonzo's internal conflict between his desire for Nanon and his criminal past drives the narrative forward, culminating in a series of intense and memorable scenes. Despite its unconventional storyline, "The Unknown" remains a testament to Chaney's exceptional acting prowess and the era's innovative filmmaking techniques.
A Revival of Forgotten Cinematic Splendor
For many years, "The Unknown" was considered lost, only to be rediscovered and restored in recent times. This Sunday, the nonprofit Chicago Film Society will screen a 35mm print of the George Eastman Museum restoration, providing an opportunity for modern audiences to experience this classic. The film's historical significance lies not only in its rarity but also in its contribution to early cinema's exploration of psychological horror and melodrama. Accompanied by a live musical score, the screening promises an immersive experience that bridges the gap between past and present.
Beyond "The Unknown," the event will feature an experimental short film, "Comes to a Point Like an Ice Cream Cone," directed by Heather McAdams and Chris Ligon. This short film, composed of archival footage from various circuses, offers a frenetic contrast to the somber tone of "The Unknown." Its rhythmic and chaotic visuals highlight the diversity of early cinema's experimental spirit. While "The Unknown" delves into the darker aspects of human nature, this short film celebrates the circus's lively and unpredictable essence. Together, these two films create a compelling program that showcases the richness and variety of early 20th-century filmmaking.