In a unique exploration of filmic techniques, Matthew Rankin's "Universal Language" offers an innovative take on storytelling. Set in an alternate version of Winnipeg, this film weaves together multiple narratives that playfully challenge the conventions of cinema. Through its unconventional approach, it invites viewers to question the boundaries between reality and fiction. The movie features characters such as two young girls attempting to free a frozen object, a tour guide navigating bewildered tourists through the city's landmarks, and a government worker returning home to visit his mother. These interwoven stories serve as a canvas for Rankin to experiment with the artificiality of filmmaking, drawing inspiration from Winnipeg's expertise in producing Christmas movies and the works of filmmakers like Guy Maddin.
The setting of "Universal Language" is crucial to its artistic vision. The film takes place in a reimagined Winnipeg, where the winter atmosphere is meticulously crafted within the frame. This allows Rankin and his team to explore the creative potential of cinematic artifice. By embracing elements that would typically be considered mistakes—such as breaking the 180-degree rule or using absurd compositions—they aim to create emotional abstractions rather than realistic representations. One notable scene showcases a government employee leaving his job, with the camera jumping between conversations and a man crying in his cubicle, defying conventional filmmaking rules. This deliberate choice highlights the constructed nature of the film and adds a layer of humor.
The influence of Winnipeg's film industry on "Universal Language" cannot be overstated. Known for its prolific production of Christmas movies, Winnipeg has mastered the art of creating winter settings even during summer shoots. Rankin leverages this expertise to enhance the film's visual appeal while also pushing the boundaries of what cinema can achieve. He draws parallels between the shift in painting after the invention of photography and the current state of cinema, suggesting that filmmakers should embrace the expressive potential of their medium rather than striving for authenticity. This philosophy is evident throughout the film, where the focus lies on exploring new forms of expression rather than replicating reality.
The film's experimental approach challenges traditional notions of storytelling and filmmaking. By incorporating unconventional techniques and drawing attention to the constructed nature of the narrative, "Universal Language" invites audiences to engage with cinema on a deeper level. It encourages viewers to appreciate the artistry behind the scenes and to recognize the power of cinema as a tool for emotional and conceptual exploration. Through its unique blend of storytelling and visual experimentation, the film stands as a testament to the endless possibilities of cinematic expression.