Join us as we delve into the vibrant tapestry of performances that defined this year's festival, highlighting the profound impact of art in shaping our world.
As the sun rose over Science Center Plaza, an electrifying rhythm coursed through the crowd, guided by DJ Luna del Flor's expert hand. The sudden silence that followed was broken only by the harmonious voices of The Kuumba Singers and Harvard Choruses, their rendition of "This Little Light of Mine" resonating deeply within the hearts of all present. Opera singer Davóne Tines, honored with the 2025 Harvard Arts Medal, delivered a performance so compelling it left spectators breathless.
This opening act symbolized the festival's essence—celebrating the transformative power of music and voice. Each note carried not just melody but also the weight of history and hope, setting the stage for what lay ahead.
Following Tines' stirring conclusion, Abe Joyner-Meyers picked up the banjo, weaving a new thread into the musical narrative. Joined swiftly by the Arts Fest Jazz Band, they launched into a jubilant version of "When the Saints Go Marching In." This marked the beginning of a joyous procession leading participants into the nearby tent, officially inaugurating the Performance Fair.
This parade wasn't merely about movement; it represented unity, bridging gaps between individuals through shared rhythms and melodies. It encapsulated the festival's mission to foster connections amidst diversity.
Throughout the day, various student ensembles took center stage. Among them was the Harvard College Steelpan Ensemble, led by Adam Bartholomew and Elizabeth Bennett. Their rendition of Frankie Valli's classic received thunderous applause, underscoring the ensemble's dedication and skill. Bartholomew, hailing from Trinidad and Tobago, expressed pride in bringing his cultural heritage to Harvard's stages.
Ethan Chaves further enriched the program with original viola compositions inspired by Jungian psychology. His busy schedule reflected the festival's capacity to inspire experimentation and growth among students. For Chaves, the event provided invaluable opportunities to showcase innovative projects alongside traditional performances.
In Lowell Lecture Hall, President Alan Garber presented Davóne Tines with the prestigious Harvard Arts Medal. Recalling Tines' mesmerizing performance at Harvard's 2019 Commencement, Garber emphasized art's ability to convey truth and evoke empathy. Tines' response highlighted the dual role of artists—as mirrors reflecting societal realities and as catalysts inspiring creativity in others.
Tines engaged in a candid conversation with Diane Paulus, discussing his journey from sociology studies to operatic fame. He credited early experiences in arts administration for deepening his understanding of collaborative efforts behind every production. His message encouraged embracing complexity and contradiction within oneself, advocating authenticity as a cornerstone of artistic expression.
Various collaborations unfolded across campus venues, each offering unique insights into the intersection of different art forms. In Holden Chapel, Dexter Suhn performed alongside bassist Rocco Rizzi, blending genres seamlessly. Meanwhile, Anugraha Raman and Kohal Das prepared for their plaza performance, embodying global influences through dance and music.
These partnerships transcended individual talents, creating something greater than the sum of their parts. They demonstrated how collaboration amplifies creativity, pushing boundaries while honoring traditions. Such moments defined the festival's spirit, proving that art knows no borders.