In a unique blend of modern dance and opera, the Milwaukee Opera Theatre and Danceworks present an innovative adaptation of Antonín Dvořák's famous opera, "Rusalka." This production, which transforms the traditional grand opera into an intimate and immersive experience, showcases the power of simplicity in storytelling. Despite its modest setup, the performance captivates audiences with its creative use of space, lighting, and music. The story, told through 11 arias and choreographed movements, retains the emotional depth of the original while offering a fresh perspective on this classic tale.

A Minimalist Stage for Maximum Impact

The setting is unassuming yet effective—a large dance studio converted into a theater space. Audience members are seated along one side, creating an intimate atmosphere that enhances the connection between performers and viewers. The stage design is minimalistic, featuring only a few props: a fake boulder, a real piano, a harp, and a small door. These elements, combined with the playful use of lighting, create a versatile backdrop for the unfolding drama. The simplicity of the set allows the audience to focus on the performances, where the true magic happens.

Despite the lack of elaborate sets, the production team has crafted a visually engaging environment. Lighting designer Colin Gawronski’s work adds layers of emotion to each scene, while the musicians—pianist Ruben Piirainen and harpist Erin Brooker-Miller—bring Dvořák’s score to life with remarkable precision. The program, though concise, offers valuable insights into the cast and provides English translations of the Czech lyrics, making the experience accessible to all. The narrative, condensed and humorously adapted by Jason Powell, adds a touch of whimsy to the otherwise tragic tale.

The Emotional Heart of the Performance

At the core of this production lies the emotional intensity of the performances. Saira Frank, as Rusalka, delivers a heart-wrenching portrayal of the water sprite who longs for human love. Her voice effortlessly shifts from sorrowful whispers to powerful crescendos, drawing the audience into her world. The three singing nymphs, played by Tabetha Steege, Erin Sura, and Brennan Martinez, add harmonious depth to the ensemble, their voices weaving together in moments of haunting beauty. Tim Rebers, as the prince, brings both gravitas and comedic relief to his role, embodying the character’s flawed nature with nuance.

The choreography by Christal Wagner challenges the dancers to express complex emotions through movement, blending traditional ballet techniques with more contemporary styles. The dancers’ interactions with the set—climbing walls, tumbling across the floor, and intertwining with one another—create a visual metaphor for the characters’ inner turmoil. Stage director Jill Anna Ponasik and Wagner have crafted a production where every gesture and movement contributes to the storytelling. The result is a seamless fusion of music, dance, and drama that resonates deeply with the audience. For those willing to embrace this unconventional format, "Rusalka" offers a rare and memorable theatrical experience.