Navigating the Shadows of Hollywood: A Filmmaker's Candid Journey

Jane Schoenbrun, the acclaimed trans director, has offered a rare glimpse into the challenges and triumphs of navigating the complex landscape of the film industry. In a candid discussion at the San Sebastian Film Festival, Schoenbrun spoke openly about their experiences in making the hit film "I Saw the TV Glow," including the unexpected support they received from Hollywood powerhouse Emma Stone.

Harnessing the Power of Allies in a Cutthroat Industry

Embracing the Support of Influential Allies

Schoenbrun's collaboration with Emma Stone's production company, Fruit Tree, proved to be a pivotal moment in the making of "I Saw the TV Glow." The director recounted how Stone and her team were eager to leverage their influence to help Schoenbrun bring their vision to life. "They had essentially said to me, 'We just want to use our power,'" Schoenbrun explained. "Like, this is Emma Stone: 'We want to use my power to help people like you make movies.'" Schoenbrun was quick to seize the opportunity, acknowledging the invaluable support they received from Stone's involvement in the project.

Navigating the Complexities of the Industry

However, Schoenbrun also acknowledged the challenges of working within the commercial infrastructure of the film industry, where the values and priorities of those in power may not always align with their own. "To make this kind of movie you need to dance with the devil," they said, referring to the senior executives and "shadowy figures" who hold significant sway in Hollywood. Schoenbrun recognized the need to compromise and adapt their approach to secure the necessary funding and resources to bring their film to life.

Embracing the Absurdity and Mischief

Despite the difficulties, Schoenbrun found a certain thrill in navigating the industry's complexities. Drawing inspiration from the works of directors like David Lynch, they embraced the "insane situations" and the "fun" of "taking them for a ride." Schoenbrun saw their role as a "mischief maker," using their creativity and storytelling prowess to push the boundaries of what is "allowed" within the commercial framework of the industry.

Reflecting on the Importance of Representation

At the heart of Schoenbrun's journey lies a deep commitment to telling LGBTQ+ stories and amplifying marginalized voices. They acknowledged the ongoing struggle to maintain their values and vision within the constraints of the industry, noting that "it's not binary, there are lovely people who are allies in that mission." Schoenbrun's determination to continue exploring these narratives, despite the challenges, underscores the importance of diverse and authentic representation in the film industry.

Crafting a Cinematic Tapestry Inspired by the Past

Schoenbrun's creative process for "I Saw the TV Glow" was a rich tapestry of influences, drawing inspiration from beloved television shows of the past. The director confessed to "pulling very specific things from episodes of Buffy, or Are You Afraid of the Dark?" and other 90s classics, blending these nostalgic elements with a distinct visual style inspired by the works of filmmakers like David Lynch and Gus Van Sant.

Exploring the Allegorical Depths of "I Saw the TV Glow"

At the core of "I Saw the TV Glow" lies a powerful allegory for the experiences of young queer and trans individuals. The film follows the journey of Owen, a boy who, along with his friend Maddy, becomes captivated by a fictional TV show called "The Pink Opaque." As they delve deeper into the show's mysteries, Owen is forced to confront the shame and repression he has internalized, a narrative that Schoenbrun sees as a metaphor for the struggles faced by LGBTQ+ youth.

Embracing the Transformative Power of Storytelling

Schoenbrun's candid reflections on the making of "I Saw the TV Glow" underscore the transformative power of storytelling. By navigating the complexities of the film industry and drawing inspiration from the past, the director has crafted a work that not only entertains but also challenges and enlightens audiences. Schoenbrun's willingness to "dance with the devil" in pursuit of their artistic vision serves as a testament to the resilience and determination of marginalized filmmakers who are committed to amplifying underrepresented narratives.