Dani Filth, the lead vocalist of Cradle Of Filth, has voiced his strong opposition to music streaming platforms like Spotify. He criticizes the low royalty rates paid to artists and expresses concerns about the sustainability of the music industry. Despite the popularity of streaming services, Filth advocates for physical media and highlights the loyalty of metal fans who support their favorite bands through purchases. The vocalist also draws a comparison between the treatment of musical piracy and film piracy, noting discrepancies in how each is addressed.

The Economic Strain on Musicians Due to Low Royalties

Filth argues that streaming platforms do not adequately compensate artists, leading to financial difficulties within the music community. Many musicians are forced to take on alternative jobs due to insufficient income from streaming royalties. This shift impacts the frequency and quality of music production. Filth emphasizes the importance of fair compensation for artists to ensure the longevity of their careers.

He likens the situation to a delicatessen where customers expect free produce, illustrating the perceived entitlement to free music. Filth stresses that while streaming services may offer exposure, they do not provide sustainable financial support for artists. He points out that only mainstream acts like Taylor Swift and Ed Sheeran receive significant attention and revenue, overshadowing smaller artists. This imbalance creates a challenging environment for lesser-known musicians to thrive.

The Loyalty of Metal Fans and the Physical Media Market

In contrast to the challenges posed by streaming, Filth praises the dedication of metal fans who continue to purchase physical media such as CDs and vinyl records. He describes the metal scene as both passionate and critical, with fans often showing deep loyalty to their favorite bands. This commitment extends to buying special editions and unique merchandise, supporting artists directly.

Filth notes that the metal community stands out for its fervor and willingness to invest in tangible music products. He reflects on the carnivorous nature of the scene, where debates over band quality are common, yet the overall loyalty remains strong. Fans' enthusiasm is evident in their attire and purchases, reinforcing the bond between listeners and performers. Filth concludes by highlighting the upcoming release of Cradle Of Filth’s new album, underscoring the ongoing relevance of physical media in the digital age.