The Music Conservatory of Coeur d’Alene welcomes two accomplished vocalists to its faculty. Elizabeth Goodwin and Noah Lauer, recent graduates from Indiana University’s prestigious Jacobs School of Music, bring a wealth of experience and talent. They will be offering private voice lessons and classes for various age groups. The conservatory's artistic director expresses great enthusiasm for their arrival and highlights their exceptional skills. Additionally, the couple is set to tie the knot in July. An upcoming performance at the Kroc Theater on April 6 will showcase their vocal expertise.
Elizabeth Goodwin, a native of Coeur d’Alene, has returned to her hometown as a distinguished mezzo-soprano opera singer. Her musical journey began locally but extended far beyond, culminating in a bachelor’s degree from one of America’s top music institutions. Under the mentorship of renowned artists, she developed her operatic repertoire and performed in significant venues. Moreover, her international studies in Italy enriched her understanding of Italian culture and music.
Goodwin’s career spans both operatic performances and major concert works. She has taken on numerous roles in operas and served as a featured soloist in iconic compositions like Mendelssohn’s “Elijah” and Bach’s “Mass in B Minor.” Her time in Urbino, Italy, was particularly transformative, where she immersed herself in the country’s rich musical heritage. Performing in historic venues across central Italy allowed her to connect deeply with the region’s cultural roots. This diverse background equips her to offer valuable insights to aspiring vocalists at the conservatory.
Noah Lauer, originally from Cedar Rapids, Iowa, brings an impressive resume to the conservatory. As a bass opera singer, he has achieved professional success in multiple countries, including the United States, United Kingdom, and Canada. His extensive experience performing in leading roles showcases his versatility and skill. Lauer’s educational background includes a master’s degree, complemented by practical application and scientific research in vocal techniques.
Lauer’s performances span a wide range of genres, from classic operas to modern concert pieces. He has portrayed prominent characters such as Frère Laurent in “Roméo et Juliette” and Sarastro in “The Magic Flute.” Beyond operatic stages, he has also been a soloist for masses, requiems, and art songs. As a voice educator, Lauer emphasizes informed expressivity and a technique grounded in sensory feedback. His approach ensures that students can apply fundamental principles to any style of music, making him an invaluable addition to the conservatory’s faculty.