This year's awards season has stretched longer than many anticipated, with some nominees experiencing a grueling nine-month journey since their films debuted at Cannes. Notable figures like Demi Moore reflect on the extended campaign with both joy and exhaustion. Meanwhile, industry insiders share insights on upcoming projects, personal achievements, and the challenges faced by international filmmakers.
Awards season has become an extended affair for this year’s Best Actress nominees. Demi Moore, along with Karla Sofia Gascón and Mickey Madison, have been promoting their films since last May when their movies premiered at Cannes. Despite the lengthy process, Moore expresses genuine happiness, though her body is feeling the strain. The anticipation builds as Sunday approaches, marking the end of this marathon for many in the film industry.
For Moore, the road to the Oscars has been particularly demanding. Her film, The Substance, debuted at Cannes nearly a year ago, making the awards season feel interminable. Yet, she remains positive, sharing moments of joy with producer Eric Fellner. The film's success, however, came from an unexpected source—MUBI, which acquired distribution rights after Universal Filmed Entertainment Group passed. This twist highlights the unpredictable nature of the film industry, where opportunities can arise from unexpected places. Moore's resilience shines through as she looks forward to future projects, including the second season of Landman.
International films have garnered significant attention this awards season, bringing stories from around the world to the forefront. Fernanda Torres, nominated for her role in I’m Still Here, navigates the bustling pre-Oscar events with grace. Her presence underscores the importance of global narratives in cinema. Additionally, Mahsa Rostami and Setareh Maleki, stars of The Seed of the Sacred Fig, share their experiences of leaving Iran to pursue artistic freedom. Their journey highlights the sacrifices made by artists in countries where creative expression is limited.
Rostami and Maleki’s escape from Iran to Germany illustrates the risks and rewards of standing up for one's art. Without valid travel documents, they managed to leave the country illegally, seeking refuge in neighboring nations before eventually settling in Berlin. Their story adds depth to the conversation surrounding freedom of expression and the power of film to bring awareness to global issues. Similarly, Emilia Pérez offers a unique perspective on Latin American culture, inviting audiences to explore its complexities. These films remind us of the freedom we often take for granted—the freedom to create, critique, and appreciate art without fear.