Unveiling the Heartbeat of Culture
Music is not merely a form of entertainment; it serves as a cultural compass that guides us through the complexities of life. Ben Ratliff, with over two decades of experience as a music critic, transitioned to academia, teaching at NYU’s Gallatin School of Individualized Study. His career shift reflects broader changes in the media landscape, particularly the diminishing focus on live performances by major publications.
Ratliff's fifth book, "Run the Song," explores the symbiotic relationship between running and listening to music, offering readers an intimate look into his personal experiences. Scheduled for release on March 13, the book promises to provide valuable insights into how music can enhance our daily routines and emotional well-being.
From Listener to Critic: A Journey of Passion and Purpose
Ratliff’s passion for music was ignited early in life. Growing up, he found solace and inspiration in music criticism, which served as a window to the broader world. By high school, Ratliff realized his affinity for writing and reading about music. He admired the flexibility and creativity of music criticism, recognizing that it allowed him to express his unique voice and interests.
This realization set the foundation for his career. Ratliff honed his skills through various platforms, including his high school and college newspapers. A pivotal moment came when he took a writing class with Gary Giddins, a renowned jazz critic. Giddins’ mentorship provided Ratliff with the confidence to pursue music criticism professionally. After several years of freelancing, Ratliff joined The New York Times, where he spent nearly two decades shaping the narrative around music.
The Evolution of Music Journalism
Over the years, music journalism has undergone significant transformations. Ratliff notes that while insightful writing remains constant, younger writers have developed a keen interest in genre-specific analysis. This trend contrasts with earlier approaches that emphasized the transcendence of genre boundaries. Despite this shift, Ratliff laments the decline in concert coverage, which he views as essential to understanding the cultural impact of music.
He attributes this change to editorial decisions driven by analytics, which prioritize popular content over nuanced, performance-based critiques. Ratliff believes that concerts are integral to the musical experience, especially for genres like jazz, where live performances foster community and innovation. The lack of attention to live events in mainstream media is concerning, as it overlooks a vital aspect of music culture.
The Role of Music Criticism in Modern Journalism
Journalism, at its core, serves as a thermometer for societal trends. Music criticism plays a crucial role in this process by contextualizing new releases and performances within the broader cultural landscape. Ratliff argues that music criticism should remain intertwined with journalism, providing critical intelligence that goes beyond mere evaluation. It offers a platform to explore the deeper implications of music, reflecting both current and historical contexts.
Ratliff emphasizes the importance of adhering to journalistic protocols while allowing room for creativity. Writers must learn to navigate constraints before pushing boundaries. This balance fosters growth and innovation in both music and writing. Moreover, Ratliff believes that criticism, in general, is a fundamental aspect of life, offering invaluable perspectives on artistic expression and human experience.
Broadening Musical Horizons
A key limitation in today’s music industry is the narrow scope of many listeners' tastes. Ratliff advocates for a more expansive approach, encouraging listeners to explore diverse genres and traditions. He believes that knowledge of different musical styles enriches one’s understanding of global cultures. For instance, familiarity with classical composers like Bach can enhance appreciation for hip-hop or Japanese music. Ratliff’s philosophy centers on the interconnectedness of music, promoting a holistic view that transcends borders and boundaries.
To exemplify this idea, Ratliff highlights Thelonious Monk, a jazz pianist whose compositions resonate across generations. Monk’s music, characterized by its distinct style and unconventional techniques, challenges listeners to embrace individuality and creativity. Ratliff finds Monk’s work personally meaningful, likening him to a lifelong companion. He confidently recommends Monk’s music to others, knowing that its universal appeal will captivate diverse audiences.
Musical Reflections on Life and Society
For Ratliff, music is a transformative force that influences various aspects of life. It teaches patience, fosters community, and provides a means of self-expression. Music also serves as a powerful tool for understanding history and cultural evolution. Ratliff emphasizes the ease with which music crosses borders, facilitating global connections and shared experiences.
Ultimately, music holds immense potential to heal and inspire. It acts as a form of medicine, tuning us up and restoring balance. Ratliff’s reflections underscore the profound impact of music on both individual and collective levels, highlighting its capacity to shape our perceptions and enrich our lives.