Afro-jazz has long been a beacon of unity for communities across Kenya, and nowhere is this more evident than in the mythical nightclub Moto Moto. Set against the backdrop of Mombasa, this musical invites audiences into a world where boundaries dissolve, and individuals from all walks of life come together in celebration. Director Saheem Ali draws inspiration from his own experiences on dance floors, emphasizing how such moments can redefine one’s existence.
Ali’s journey with “Goddess” began nearly two decades ago, fueled by a desire to recreate the electrifying atmosphere of communal gatherings. With painstaking dedication, he nurtured this project alongside raising his first child, Liban, born in 2006. Just a year later, “Goddess” emerged as his second offspring—a labor of love that would span eighteen years before gracing the stage at the Public Theater.
At the core of “Goddess” lies the enchanting African folklore myth of Marimba, the deity of melodies who crafts songs from sorrow. Her story serves as both a foundation and a muse, guiding the narrative arc of the musical. Through her, Ali explores themes of resilience, creativity, and emotional healing, offering a profound meditation on the human condition.
This mythology resonates deeply within the context of Kenyan society, where diverse traditions coexist harmoniously. By weaving these elements into the fabric of the musical, Ali pays homage to the rich cultural heritage of his homeland while presenting it to a global audience. The result is a tapestry of sound and vision that captivates and inspires.
Finding the right collaborators proved essential to bringing “Goddess” to fruition. Over the years, Ali assembled a team of talented musicians, writers, and performers who shared his vision. Together, they worked tirelessly to refine the plot, ensuring every note and lyric contributed to the overarching message of connection and transcendence.
One notable collaboration was with the creators of “Buena Vista Social Club,” whose Broadway production showcased the vibrancy of Cuban nightlife. While distinct in setting and style, both productions share a commitment to celebrating cultural identity through music. This synergy enriched “Goddess,” adding layers of authenticity and depth to its portrayal of Afro-jazz culture.
The transition from concept to reality required immense perseverance and innovation. Ali faced numerous challenges during the development process, yet his unwavering passion propelled him forward. Each rehearsal brought new insights, allowing the cast and crew to refine their performances until the final product shimmered with brilliance.
As “Goddess” enters its preview phase, audiences are invited to witness the culmination of Ali’s lifelong dedication. Beyond mere entertainment, this musical promises to leave a lasting impression, reminding us of the universal language of music and its ability to bridge divides.