The storyline revolves around Ruby Sunday, portrayed by Millie Gibson, who finds herself entangled in a web spun by Conrad Clark. Despite the risk of rehashing previous themes explored in episodes like 73 Yards, Gibson's performance shines through, particularly in her retort to Clark's questioning of her authority. Pete McTighe's script adeptly addresses contemporary issues such as doxing, live-streamed standoffs, and the infiltration of mainstream media by conspiracy theories, adding layers of relevance to the tale.
This episode delves into the complexities of modern phenomena, drawing parallels with real-world events, such as anti-vaccine campaigners targeting healthcare workers during the height of the pandemic. Such elements underscore the timeliness and importance of the narrative, making it resonate beyond mere science fiction.
Although brief, the TARDIS scenes are pivotal. Belinda and the Doctor utilize the vortex indicator, setting the stage for a rendezvous in 2007. Ruby and the Doctor encounter the Shreek, an event suggested to occur immediately after last year’s The Devil’s Chord. Additionally, the Doctor confronts Clark within the TARDIS, though the exact timing remains ambiguous.
These fleeting moments serve as crucial connective tissue between various storylines, enriching the overall tapestry of the series. They highlight the interconnected nature of the Doctor's adventures and the lives he touches, even when not at the forefront of the action.
Among the cast of characters, the Vlinx stands out for its comedic cowardice, abandoning its post on the UNIT bridge with unseemly haste. The Shreek, designated as the monsters of the week, echo the Dregs from Orphan 55 in their effectiveness being greater in shadow than in direct confrontation. Interestingly, the revelation that they were once merely men in rubber suits adds a layer of meta-commentary on the production process itself.
Yet, the true villains of the piece remain human, exploring the darker aspects of our species' capacity for deceit and manipulation. This juxtaposition serves to enhance the dramatic tension and thematic depth of the episode, reminding viewers that sometimes the most terrifying foes are those we see every day.
Questions linger regarding certain character identities, notably whether "the guv’nor" aligns with Anita Dobson's recurring villain. Further explorations delve into historical references, such as the London Eye's role in Rose and the significance of snapping fingers to operate the TARDIS, first seen in Forest of the Dead.
Alien lists mentioned by Clark, including the Sycorax and underground yetis, nod to past stories and characters, intertwining the lore of Doctor Who seamlessly. The anticipation builds for future appearances of UNIT, with key actors reprising roles in upcoming spin-offs, promising further adventures and revelations.