The Shapiro Center for Creative Writing and Criticism recently welcomed Zakiya Dalila Harris, author of the acclaimed novel "The Other Black Girl" and executive director of its Hulu series adaptation. The event, part of the 2024-25 Shapiro Speaker series titled "The Art of Editing," delved into Harris's career evolution from an editorial assistant at Knopf Doubleday to a prominent voice in speculative satire. Her work critically examines race dynamics within the publishing industry and the challenges of adapting such themes for television audiences. Harris shared insights into her upbringing, education, and professional experiences that shaped her writing, particularly focusing on the complexities of identity, resistance, and belonging.

A Career Shaped by Family and Mentorship

Harris's path to becoming a writer was significantly influenced by her family background and academic pursuits. Growing up in Hamden, Connecticut, she was surrounded by a family of writers, including her father, a former journalist, and her sister, a writer and podcast host. This environment fostered her early interest in literature. After completing her studies in English literature and creative writing at the University of North Carolina at Chapel Hill, Harris pursued an MFA at The New School, where she discovered her passion for nonfiction and met influential mentors like poet Hettie Jones. These formative experiences laid the foundation for her future career in publishing.

Jones's mentorship was pivotal in Harris's development as a writer. She encouraged Harris to explore her unique voice and provided invaluable feedback. Harris's time at The New School also introduced her to the world of publishing, leading her to Knopf Doubleday. As one of the few Black women in her department, Harris faced challenges that would later inspire her novel "The Other Black Girl." The book explores the tension between assimilation and solidarity in predominantly white corporate spaces, reflecting her personal experiences and observations. Harris's ability to weave these elements into a compelling narrative has resonated with readers and critics alike.

From Novel to Television: Expanding the Narrative

The transition from page to screen allowed Harris to expand upon the themes of her novel, particularly the representation of Black women in publishing. Collaborating with Rashida Jones, they assembled a team of primarily Black female comedy writers to develop the humor and social commentary of the show. This process not only enriched the story but also highlighted the importance of diverse voices in media. Harris emphasized the need for balance between comedy and horror, creating a unique viewing experience that reflects real-world issues in a thought-provoking manner.

Harris's novel delves into the performativity of diversity efforts in corporate settings, a theme that remains relevant today. In the book, the protagonist Nella Rogers navigates the complexities of being one of the few Black employees in a publishing house. Harris drew from her own experiences to depict the subtle yet profound ways in which minority groups are marginalized. By bringing these stories to both print and screen, Harris aims to foster greater understanding and empathy among audiences. She advocates for nurturing younger talent and creating inclusive environments where everyone can thrive. Through her work, Harris continues to challenge societal norms and promote meaningful dialogue about race and identity.