In recent years, the music industry has witnessed a seismic shift, propelled by the rapid expansion of streaming platforms and the emergence of diverse global markets. According to Luminate's 2024 data, the volume of streaming surged by 6.4%, with on-demand audio streams climbing an impressive 14%. This growth is particularly notable outside the US, where developing regions have driven a 17.3% increase. The rise of non-English speaking countries in music production and consumption marks a significant departure from traditional dominance by English-speaking nations.
This shift is not just about numbers; it reflects profound changes in how music is created and consumed. For instance, while English-language music has historically dominated exports, new players like Colombia and South Korea are making their mark. The Top 10 songwriters' list now includes these countries, signaling a broader diversification of musical influence. This trend underscores the growing importance of local cultures and languages in shaping global music trends.
The explosion of Mexican, Puerto Rican, and Latin regional music is a testament to the power of cultural authenticity. Emilio Morales, managing director of Rimas Publishing, highlights that artists in these regions are embracing their roots, creating music that resonates deeply with audiences. In Puerto Rico, for example, artists are expressing a unique form of art that builds phenomena around their culture. They are proud to showcase their music to the world without masking its natural rhythms or style.
This authenticity has found a platform where artists can express themselves freely. Audiences appreciate the genuine message behind songs, leading to increased engagement. Artists are no longer pressured to conform to mainstream standards, allowing them to innovate with modern touches while staying true to their heritage. This balance between tradition and innovation is what makes regional music so compelling and successful.
In Nigeria, the music scene is being revolutionized by young people who have access to advanced technology for recording and distributing music. Elizabeth Sobowale, artist manager and program director at MBA For Africa, notes the massive volume of songs produced and the increasing awareness among artists about business aspects like royalties. This shift signifies a maturing industry where artists are more informed and strategic in their career paths.
Nigerian artists are also turning inward for inspiration, drawing from their own catalogues rather than external influences like hip-hop or reggae. This inward focus has led to a resurgence of authentic sounds, which major labels are beginning to recognize as valuable. Collaborations between Afrobeats artists and those from other regions highlight the importance of maintaining cultural integrity. Authenticity, rather than mere collaborations, is driving the success of regional music.
Sania Haq, a music diversity expert, points to the Afrobeats hit "Calm Down" by Rema and Selena Gomez as a pivotal moment for South Asian music. The song's popularity in Pakistan and India, along with its influence on Bollywood and local pop, demonstrates the growing significance of non-English songs. Hindi, in particular, is becoming one of the fastest-rising languages in music, providing evidence to decision-makers about the potential of backing global music.
Authenticity remains a key factor, with audiences connecting deeply to Punjabi language artists at events like Coachella. While global collaborations from South Asia are still evolving, there are promising signs. Songs like AP Dhillon and Stormzy's track show that when done authentically, these collaborations can be impactful. However, the industry is still waiting for its "Despacito" moment, indicating the need for more genuine cross-cultural exchanges.
Suhel Nafar, head of West Asia and North Africa (WANA) at Empire, observes a pattern where music follows food in gaining international recognition. Just as tacos paved the way for Latin music, shisha and falafel may soon herald the rise of WANA music. The region has seen significant changes in music consumption over the past five years, especially in Saudi Arabia, where music was once banned but is now embraced through festivals and digital platforms.
The shift to digital has facilitated the export of music, building libraries of samples that make song production easier. Hybrid languages and cultures are creating a crossover phenomenon, where global sounds are localized. Moroccan music, for instance, has elements of Afrobeats but retains its distinct identity. This glocalization allows artists to blend global trends with local flavors, appealing to a wider audience.
JT Myers and Nat Pastor, co-CEOs of Virgin Music Group, reflect on their journey from the piracy era to overseeing Virgin. They define independence as a spirit of controlling one's destiny and reaping the rewards of successful decisions. Virgin's strategy involves acquiring notable independent companies like Downtown Music, valued at $775 million, to support indie artists in emerging markets.
In these markets, the IP side of the business is relatively new, offering opportunities for indie companies to shape the industry. Virgin aims to provide resources to help entrepreneurs navigate the challenges of running small businesses. By centralizing operations and creating a global ecosystem, they ensure that success can emanate from anywhere. The indie sector is poised for incredible growth, driven by globalization and the ability to achieve global success.