When listening back to some of the Bumblin’ Bones albums and then playing The Last Cool Summer, there are clear similarities. However, this latest album has a more atmospheric and layered feel. Ian Hinkley explained that when putting together albums for Bumblin’ Bones, the songs were often written for or during performances. He believes that live music activates the body, while recorded music activates the mind.
The first solo record he made was during the height of the pandemic (Guy Wonder, 2022), and it grew out of the realization that he might never play these songs in front of an audience again. This freed him to focus on his singing without worrying about recreating the sounds in a public setting.
Takeshi Lewis, a local sound maven who mixed the album, received all the fully recorded tracks. His task was purely mixing and mastering. However, Hinkley credits him with creating an atmospheric mood that binds the album together. Whether it's a song like "Sleeping Sack" where he sings and plays into a single mic in one take or "Marnie's Song" with its synth-heavy and three electric guitar tracks, Takeshi's work gives the album an open and dreamy sound that feels cohesive.
The songs on The Last Cool Summer have not been part of these shows yet, and he is putting together a new version to incorporate them. He uses a one-man-band set-up with a keyboard on a bass drum and a tambourine on a high hat stand, while playing guitar to add as much instrumentation as possible on his own. Throughout the night, he brings in more musicians to fill out the sound and make it a full rock show.
Listen to Ian Hinkley's music via linktr.ee/ianhinkley.