Steven Soderbergh's latest film, Presence, brings back a classic cinematic technique that has long captivated audiences—point-of-view (POV) shots. This approach, where scenes are viewed from an antagonist's perspective, creates an unsettling experience, making viewers feel both observer and observed. By using sustained, unedited shots, the film transforms spectators into voyeurs, lingering in moments longer than usual. Presence tells a familiar story of a family moving into a haunted house but through the eyes of a ghostly presence, offering a unique narrative. The film delves into cultural beliefs about ghosts and explores the psychological phenomenon of "felt presence," which occurs in various conditions like sleep paralysis and certain mental health issues.
In Presence, the audience experiences the haunting through the eyes of the unseen entity. Each scene unfolds as if we are the ghost, sweeping between rooms to eavesdrop on intimate conversations or hovering over characters as they sleep. This perspective creates a chilling immersion, drawing viewers into the story while blurring the line between observer and participant. Through this method, the film not only enhances the eerie atmosphere but also invites us to reflect on our own fears and anxieties.
The use of POV shots in Presence is more than just a stylistic choice; it taps into deep-seated human emotions. By placing us in the role of the ghost, the film evokes a sense of unease, mirroring the feeling of being watched. This technique draws parallels with real-life experiences of "felt presence," where individuals have the sensation that someone is nearby without any visible evidence. Such occurrences can be linked to sleep paralysis, bereavement, and neurological conditions, highlighting how these phenomena intersect with our perception of safety and personal space. In doing so, the film challenges our understanding of what it means to be haunted, both literally and metaphorically.
Beyond its cinematic innovation, Presence delves into the psychological underpinnings of felt presence. These experiences, often associated with fear and paranoia, are more common than one might think. They occur in situations ranging from sleep disturbances to mental health conditions, such as schizophrenia and Parkinson’s disease. The film uses this concept to explore deeper emotional layers, revealing how presences can signify complex relationships and unresolved traumas within the family. This approach shifts the focus from mere fright to a nuanced examination of human emotions and connections.
Scientific research into the sensation of presence reveals the role of bodily awareness. Our brains continuously integrate sensory information to maintain a coherent sense of self. Disruptions in this process can lead to the uncanny feeling of another presence nearby. For instance, during sleep transitions, the brain renegotiates the boundaries of the self, explaining why many people experience phantom intruders during sleep paralysis. Presence capitalizes on this knowledge, portraying the ghostly encounters as extensions of the characters' inner turmoil. As the story unfolds, it becomes clear that the entity is deeply intertwined with the family's history, reflecting their collective struggles and vulnerabilities. Ultimately, the film suggests that presences are not solely about fear but also embody the intricate web of emotions and relationships that define our lives.