In a recent memoir, Josh Gad delves into the unexpected controversy that arose from a fleeting moment in the 2017 live-action adaptation of Disney's "Beauty and the Beast." The scene in question involved his character, LeFou, briefly dancing with another man, which was later labeled as the "first gay moment" in a Disney film. Gad expresses his thoughts on how this moment was overemphasized and misunderstood, leading to significant backlash and even censorship in certain regions.
Gad reveals in his book, In Gad We Trust, that neither he nor the filmmakers intended for LeFou’s brief dance to be interpreted as a defining moment for LGBTQ representation. He explains that the scene was originally conceived as a lighthearted, almost unnoticed detail. Gad emphasizes that he never approached the character with the intention of portraying him as gay. He reflects on how the media and public reaction escalated the moment far beyond its original intent, leading to unintended consequences.
According to Gad, the team behind "Beauty and the Beast" did not discuss LeFou's sexuality at any point during production. The actor describes the scene as a "fun blink-and-you’ll-miss-it little beat" that seemed harmless at the time. However, after director Bill Condon highlighted it as an "exclusively gay moment," the situation spiraled out of control. Gad admits that had he known the extent of the attention this moment would receive, he might have reconsidered agreeing to it. He acknowledges that while some viewers appreciated the gesture, others felt it was both too insignificant and not enough to celebrate as a milestone in LGBTQ representation.
The fallout from this moment was substantial, with the film facing boycotts and bans in countries that censor LGBTQ content. Despite these challenges, "Beauty and the Beast" remained a box office success, earning over $1 billion globally. Gad reflects on the broader implications of this incident, expressing regret that it became a symbol of something it was never meant to be. He believes that true representation requires more than a fleeting moment and should involve fully developed characters that resonate with audiences.
Gad has since stated that the film didn't go far enough in its portrayal of LGBTQ characters, and he regrets the way the moment was celebrated as a breakthrough. He argues that if Disney truly wanted to highlight LGBTQ representation, they should have gone further in crafting meaningful and impactful stories. Gad concludes by emphasizing the importance of authentic representation, where everyone can see themselves reflected on screen. He acknowledges his own shortcomings in contributing to this effort and hopes for more genuine and significant strides in the future.