A major step towards addressing concerns in the live entertainment sector has been initiated by the Department of Justice (DOJ) and the Federal Trade Commission (FTC). This week, they launched a public investigation into the concert and ticketing industries. The initiative encourages public participation by inviting comments from both industry insiders and consumers regarding challenges within the business and potential solutions.

This action follows an executive order issued by President Trump on March 31, aimed at reforming the live music industry. Alongside demanding stricter enforcement against automated ticket scalping systems, the president requested that the DOJ and FTC produce a report within six months outlining strategies to enhance market fairness. According to Abigail Slater, Assistant Attorney General for the DOJ's antitrust division, competitive markets should provide benefits to both artists and fans. She emphasized that enforcing antitrust laws could increase competition, making tickets more affordable while ensuring fair compensation for performers.

FTC Chairman Andrew N. Ferguson echoed similar sentiments, stating that many Americans feel excluded from live entertainment due to unfair practices such as scalping and bot usage. He praised President Trump for sending a strong message against those exploiting fans and distorting the market. The inquiry arrives nearly a year after the DOJ, supported by 40 state attorneys general, filed a significant lawsuit against Live Nation last year. The company was accused of monopolistic practices through its control over both concert promotion and ticketing giant Ticketmaster. Despite these allegations, Live Nation continues to deny any wrongdoing, arguing that the real issue lies in insufficient regulation of secondary ticket markets.

In recent months, there has been growing advocacy for the DOJ to persist with its legal action against Live Nation. Groups like the American Economic Liberties Project and the Break Up Ticketmaster Coalition have urged continued efforts to dismantle monopolistic structures in the industry. They argue that Live Nation-Ticketmaster’s practices not only maintain their dominance but also eliminate potential competitors, worsening conditions for both artists and genuine fans. Through increased scrutiny and collaborative efforts, stakeholders hope to foster a more equitable environment where all participants can thrive without undue exploitation or barriers.