In a surprising revelation, actress Margot Robbie has admitted to sharing a peculiar viewing habit with many fans—skipping the heart-wrenching endings of iconic films. During an interview with Ryan Gosling for W Magazine, Robbie confessed her preference for avoiding the emotional turmoil in movies like Titanic and The Notebook. This admission has sparked discussions among film enthusiasts about the nature of enjoying movies for their lighter moments rather than enduring the dramatic climaxes.

Robbie's Unique Viewing Style: A Closer Look

In a candid conversation, Robbie and Gosling delved into their favorite tear-jerker films. While Gosling mentioned Elephant Man as his go-to emotional movie, Robbie revealed that she consistently cries during The Notebook. However, what caught everyone’s attention was her confession about how she handles the latter part of these films. Specifically, she stops watching Titanic before the ship meets its tragic fate, preferring to remember the romantic moments aboard the luxurious vessel. Similarly, she halts The Notebook midway to avoid the sorrowful conclusion.

This unique approach to movie-watching resonates with many who choose to cherish the happier segments of films rather than facing the inevitable sadness. Robbie’s openness about this habit has not only garnered sympathy but also highlighted a broader trend among viewers who seek to preserve the joy of cinema without the emotional toll.

For Robbie, this viewing style is more than just a personal quirk; it reflects a desire to focus on the positive aspects of storytelling. Her comments have encouraged others to embrace their own preferences, whether it means skipping certain scenes or revisiting films for specific moments. Ultimately, this discussion underscores the subjective nature of film appreciation and the freedom to enjoy movies in ways that resonate personally.

From a journalist's perspective, Robbie’s revelation invites us to reconsider how we engage with media. It reminds us that art can be experienced in diverse ways, and there is no single "correct" way to appreciate a film. Whether one chooses to embrace the full emotional spectrum or selectively savor the uplifting parts, the essence of storytelling remains intact. In this light, Robbie’s approach encourages a more flexible and personalized relationship with cinema, reminding us that sometimes, it’s okay to leave the tough moments behind and focus on the beauty of the journey.