In the bustling heart of New York City, Vampire Weekend made a remarkable comeback after five years of silence. The band's latest offering, "Only God Was Above Us," rekindled the magic of their earlier works, seamlessly blending their signature sound with fresh elements. For many, this album became the soundtrack of 2024, resonating deeply within the hearts of listeners. Each track was a testament to the band's evolution while staying true to their roots. The album's intricate layers of melody and lyrics provided a rich listening experience, making it a standout release in a year filled with stellar music.
The anticipation for Vampire Weekend's return was palpable, and they did not disappoint. Tracks like "Elevate" and "Reflections" showcased the band's ability to craft songs that were both introspective and anthemic. Fans old and new found themselves drawn into the band's world, where every note felt like a revelation. The album's impact was undeniable, sparking conversations and debates across the music community. It was clear that Vampire Weekend had once again set the bar high for contemporary music.
One of the most compelling stories of 2024 was the meteoric rise of Kneecap. The Irish rap group stormed the global stage with their debut album "Fine Art," which was nothing short of revolutionary. Their fusion of traditional Irish language with modern rap created a unique sound that captivated audiences worldwide. The album's raw energy and innovative approach earned them critical acclaim, including a coveted award-winning biopic that further cemented their status as cultural icons.
Kneecap's world tour was a testament to their growing influence. Sold-out shows from Dublin to Tokyo showcased their magnetic stage presence and unparalleled talent. The band's ability to connect with fans on such a profound level was evident in every performance. Their music transcended language barriers, creating a universal appeal that resonated with listeners of all backgrounds. Critics and fans alike agreed that Kneecap was one of the defining acts of the year, setting a new standard for what music could achieve.
Beyond Kneecap, Ireland's music scene flourished in 2024, producing a wealth of exceptional artists. Damien Dempsey's "Hold Your Joy" brought a touch of autumnal warmth to the season, while Orla Gartland's sophomore effort solidified her place in the pop-rock landscape. Curtisy and Ahmed, With Love. continued to carve out their niche with their distinctive style, much like Travy & Elzzz and F3mii. Niamh Regan's "Come As You Are" was a masterful sophomore release, and Lazarus Soul's "No Flowers Grow In Cement Gardens" stood out as a hauntingly beautiful LP. Bricknasty's "XONGZ" confirmed their status as one of the most potent acts around, adding to the year's impressive roster of homegrown talent.
The diversity and depth of Irish music in 2024 were nothing short of remarkable. Each artist brought something unique to the table, contributing to a vibrant and dynamic scene. Whether it was the soulful melodies of Dempsey or the raw power of Gartland, there was something for everyone. The year saw Irish musicians pushing boundaries and exploring new territories, resulting in a rich tapestry of sound that reflected the country's creative spirit. It was a year where tradition met innovation, creating a truly memorable musical landscape.
On the international front, 2024 was equally captivating. Thee Sacred Souls kept the flame of soul music alive with "Got A Story To Tell," while Adrianne Lenker's "Bright Future" tore through the indie-folk continuum. Bon Iver's "SABLE" offered a meditation on toxicity, harkening back to Justin Vernon's earlier folksy sound. Shabaka's "Perceive Its Beauty, Acknowledge Its Grace" took top jazz honors, with its meditative flute melodies that could move even the most stoic listener. These artists, among others, showcased the boundless possibilities of genre-blending and innovation.
The year also challenged preconceived notions about rock music. Despite claims that rock is "played out," there was no shortage of great rock to be heard. Amyl And The Sniffers' "Cartoon Darkness" delivered a blistering punk resurgence, while Chat Pile's "Cool World" fused nü-metal crunch with avant-garde elements. English Teacher's "This Could Be Texas" burst onto the mainstream, proving that rock still has plenty of life left. Even The Cure's "Songs Of A Lost World" marked a triumphant return after 16 years, reminding fans why they fell in love with the band in the first place.
2024 also saw a wave of archival releases that shed light on music history. Neil Young's third installment of his Archives series covered his golden era of 1976-1987, while Joni Mitchell's "The Asylum Years (1976-1980)" included her masterpiece "Hejira." Lou Reed's reissue of his pre-Velvet Underground recordings at Pickwick Records revealed a masterclass in '60s bubblegum pop mimicry. These releases provided a window into the past, allowing fans to rediscover timeless classics and gain new insights into the artists who shaped the music industry.
The revival of archival material highlighted the enduring legacy of these iconic figures. Each release offered a glimpse into a different era, showcasing the evolution of music and the artists behind it. Fans were treated to rare gems and previously unheard tracks, adding layers of depth to the artists' discographies. The archival trend underscored the importance of preserving and celebrating music history, ensuring that future generations could appreciate the richness of these musical legacies.
Festivals were another highlight of 2024, with Electric Picnic celebrating its 20th edition and In The Meadows Festival making its debut. Electric Picnic featured an impressive lineup of Irish acts, from moshing at Kneecap to head-banging at Nas, providing a perfect blend of energy and relaxation. In The Meadows Festival, curated by Lankum, offered a unique single-day experience with a hand-picked lineup that included John Francis Flynn, Cormac Begley, Rachael Lavelle, Mogwai, and more. Both festivals showcased the best of live music, creating unforgettable experiences for attendees.
Live performances throughout the year were nothing short of spectacular. English Teacher's show at Whelan's left audiences slack-jawed, while Chappell Roan's intimate gig at 3Olympia was a rare treat. Patti Smith's performance at Vicar Street turned skeptics into converts, and Junior Brother's launch for "Take Guilt" at BelloBar welcomed a new chapter. CMAT's performances were nothing short of legendary, earning her the title of superstar and icon. These moments reminded us of the power of live music to connect and inspire.