As the curtain falls on his decade-long journey with The Syracuse Orchestra, Maestro Lawrence Loh prepares to conduct a final masterpiece that has profoundly shaped his career. On Saturday, May 17, audiences will gather for an unforgettable evening of Liszt and Mahler, where pianist Sara Davis Buechner joins the ensemble to celebrate the maestro’s remarkable tenure.

A Celebration of Artistry and Passion

The stage is set for an extraordinary farewell concert as Maestro Lawrence Loh steps down from his role as music director of The Syracuse Orchestra. This landmark event not only showcases the conductor’s enduring connection to Gustav Mahler’s Symphony No. 1 but also highlights the profound impact he has had on Central New York’s musical landscape.

A Journey Through Time: Rediscovering Mahler’s Masterpiece

For many years, Mahler’s Symphony No. 1 has resonated deeply with Maestro Loh, drawing him back to pivotal moments in his life. He recalls vividly hearing this work performed live during his mother’s final concerts with the Harrisburg Symphony. Later, at Indiana University, witnessing Kurt Masur’s interpretation further cemented its place as one of the most inspiring compositions in his repertoire. This symphony encapsulates both youthful vigor and timeless human emotion, making it a fitting choice for such a significant occasion.This powerful piece has been featured prominently throughout Loh’s career, including performances with Symphoria—the precursor to The Syracuse Orchestra. Its inclusion in this season’s finale underscores the depth of his commitment to exploring classical masterpieces while fostering connections between performers and listeners alike.

An Original Voice Takes Center Stage

Opening the program will be Franz Liszt’s Piano Concerto No. 1 in E-flat major, featuring acclaimed pianist Sara Davis Buechner. Known for her innovative approach and technical brilliance, Buechner brings a fresh perspective to this iconic composition. Originally conceived as sketches when Liszt was just 19 years old, the concerto underwent revisions over nearly two decades before its debut performance by the composer himself in 1855.Buechner’s rendition promises to captivate audiences with her distinctive flair and deep understanding of the piece’s intricate structure. Her collaboration with Maestro Loh exemplifies the synergy that defines great orchestral performances, blending individual artistry with collective harmony.

Memories Woven Into Music

Reflecting on his time in Syracuse, Maestro Loh fondly remembers numerous high points, including early concerts like Verdi’s Requiem and Bruckner’s Fourth Symphony. These performances marked the beginning of a transformative era for the orchestra, showcasing Loh’s ability to elevate their capabilities through visionary leadership and meticulous direction.Beyond professional achievements, personal milestones have enriched his experience here. Sharing the stage with his wife Jennifer, who sings in the Syracuse University Oratorio Society, and their son Charlie, who plays violin in the orchestra, created cherished memories for the entire family. Their involvement extended beyond music into various community organizations, strengthening ties within Central New York.Jennifer Loh emphasizes how meaningful these experiences have been, noting the camaraderie among local musicians and enthusiasts. Serving on boards and participating actively in events fostered lasting friendships and appreciation for diverse artistic expressions across genres.

Tributes Pour In From Colleagues and Fans Alike

Maestro Loh’s influence extends far beyond the podium, earning admiration from colleagues and audience members alike. Program annotator Peter J. Rabinowitz credits Loh with transforming the orchestra into a formidable force capable of tackling challenging works such as Mahler’s Second Symphony and Mozart’s Requiem. His dedication to expanding the repertoire introduced audiences to contemporary composers like Polina Nazaykinskaya and Quinn Mason, enriching the musical dialogue locally.Composer Nazaykinskaya dedicated her piece “Fractures” to Loh, acknowledging his exceptional interpretive skills. Principal Trumpet John Raschella recalls recognizing Loh’s potential early on, praising his passion and precision in bringing out the emotional nuances of complex scores. Similarly, Executive Director Pamela Murchison highlights Loh’s generosity and accessibility, qualities that endeared him to both musicians and patrons.Longtime supporters George and Helene Starr echo this sentiment, appreciating Loh’s versatility and enthusiasm for presenting varied programs. As they look forward to future engagements, they express gratitude for his contributions to the region’s cultural vibrancy.

A Career Shaped by Curiosity and Determination

Born in Carlisle, Pennsylvania, Maestro Loh initially pursued pre-med studies at the University of Rochester before discovering his true calling in music conducting. After completing advanced degrees at Indiana University and Yale University, he embarked on a distinguished career spanning multiple prestigious ensembles nationwide.Under the mentorship of renowned conductor Marin Alsop, Loh honed his craft, gaining invaluable insights into leading orchestras effectively. His appointment as music director for The Syracuse Orchestra followed stints in Pittsburgh, West Virginia, Dallas, and Colorado, establishing him as a respected figure in the field.Despite occasional humorous mishaps—such as misplacing a stage door during his inaugural Masterworks concert—Loh consistently demonstrated poise and professionalism. Over ten years, he built trust and admiration among peers and admirers alike, leaving an indelible mark on Syracuse’s musical heritage.As he transitions to new opportunities, including directing the Waco Symphony Orchestra in Texas, Maestro Loh remains committed to advancing orchestral excellence wherever he leads. His heartfelt farewell message conveys sincere thanks to the community that embraced him and his family, inviting continued interaction as a guest conductor in years to come.