While popes are often perceived as elevated figures, Pope Francis stood out for his down-to-earth qualities. Before becoming pope, Jorge Mario Bergoglio was known to visit Stereosound, a record store in Rome, and even blessed it after renovations in 2022. His love for music included Mozart's Mass in C minor, Wagner conducted by Wilhelm Furtwängler, tangos by Astor Piazzolla, Elvis Presley gospel, and Edith Piaf albums. Even his preferences for a simple wooden coffin and burial outside St. Peter’s Basilica reflect his humility.
Pope Francis' life revealed unexpected facets of his personality. From working as a nightclub bouncer in Buenos Aires to discussing his eclectic taste in music with Father Antonio Spadaro, he displayed a deep connection to the arts. His musical selections ranged from classical composers like Mozart and Wagner to Argentine tangos and French chansons. This diverse appreciation for music highlights his relatability and humanity beyond religious leadership.
Pope Francis consistently chose simplicity over grandeur, evident in decisions regarding his funeral plans. He opted for a modest wooden coffin and requested burial in a humble location rather than the majestic St. Peter’s Basilica. These choices align with his lifelong advocacy for marginalized communities, including migrants and refugees. His actions emphasized solidarity with common people over ecclesiastical splendor.
Beyond his public service, personal anecdotes reveal a man who connected deeply with everyday life. Stories about his student days in Buenos Aires, where he reportedly worked as a nightclub bouncer, underscore his grounding in real-world experiences. Furthermore, his preference for a quieter burial site reflects an enduring commitment to humility. Such decisions highlight how Pope Francis maintained a profound sense of humanity throughout his papacy, resonating with those seeking spiritual guidance while remaining firmly rooted in earthly concerns.
Pope Francis’ passion for music extended into his private life, showcasing a broad range of tastes. Conversations with Jesuit journal editor Father Antonio Spadaro revealed his admiration for Mozart, particularly praising the 'Et incarnatus est' section of the Mass in C minor. Additionally, he expressed fondness for performances led by conductor Wilhelm Furtwängler, specifically highlighting Wagner's Ring cycle recordings. His collection also featured tangos by Astor Piazzolla, gospel tracks by Elvis Presley, and works by Edith Piaf.
This eclectic mix mirrors the pontiff's inclusive worldview, blending sacred compositions by Henryk Górecki, Arvo Pärt, and John Tavener with more secular pieces. Each selection tells a story of cultural richness and emotional depth. For instance, Mozart lifts listeners spiritually, while tangos evoke the vibrant rhythms of his native Argentina. Similarly, Presley's gospel brings warmth, and Piaf's songs offer poignant reflections on life. By assembling such a playlist, one gains insight into not only Pope Francis' artistic sensibilities but also the universal themes that transcended his role as a religious leader, connecting him to humanity through shared passions like music.