Music
Rebirth of a Legacy: MCA Steps into the Spotlight in Nashville
2025-04-24

In an exciting move that resonates through the corridors of the music industry, Universal Music Group Nashville has rebranded itself as the Music Corporation of America (MCA). This transition comes shortly after Mike Harris assumed the role of CEO alongside Dave Cobb as chief creative officer. By adopting the renowned MCA name, UMG Nashville aims to honor its storied past while propelling country music into new heights. Alongside this rebranding effort, key appointments and strategic initiatives have been announced to foster creativity and talent development.

A New Chapter for Country Music

In a transformative moment during the vibrant autumn season, MCA unveiled its revitalized identity under the leadership of Mike Harris and Dave Cobb. The decision to return to the iconic MCA moniker reflects not only a tribute to its historical roots but also a commitment to advancing Nashville's influence on American culture. Katie McCartney now serves as EVP/General Manager, bringing her expertise to guide the company forward. Additionally, Tom LaScola joins forces with his firm The Trenches to head artist and audience strategy. Furthermore, local songwriter Jessie Jo Dillon assumes the unique position of "song buddy," contributing to nurturing emerging songwriting talents within the city.

MCA houses several prestigious imprints such as Mercury Nashville, EMI Nashville, Capitol Nashville, and MCA Nashville itself, along with newcomer Lucille Records led by Austin Jenkins. Collaborations extend beyond borders via access to Republic Collective and UMG for extensive domestic and international backing. Esteemed artists like Alan Jackson, Carrie Underwood, Chris Stapleton, and many others form part of their illustrious roster.

From Harris' perspective, fostering independence among label teams while maintaining shared goals ensures continuous innovation and excellence. Meanwhile, Cobb emphasizes prioritizing artistic integrity and community engagement over commercial interests.

As readers reflect upon these developments, one cannot help but marvel at how this rebranding encapsulates both tradition and progress. It underscores the significance of aligning business strategies with cultural values, proving once again that successful enterprises thrive when they authentically connect with their audiences. Such moves inspire hope for greater inclusivity and opportunities within the ever-evolving landscape of modern music.

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