The Florence Price revival is in full swing, as the world rediscovers the captivating compositions of this long-overlooked African American composer. Her work, spanning a diverse range of genres, is finally gaining the recognition it deserves, cementing her place as a leading figure in 20th-century American music.Unearthing a Forgotten Musical Treasure
A Trailblazer's Resurgence
Florence Price (1887-1953) was a pioneering composer whose music combined sophistication and accessibility, captivating artists and audiences alike. Despite her immense talent and contributions to the American musical landscape, her work had long been neglected, overshadowed by the dominance of her white contemporaries. However, the tide is turning, and Price's music is now experiencing a remarkable renaissance, with her compositions being programmed more frequently in concert halls and recital stages.
For many white musicians and concert programmers, this newfound interest in Price's work may stem from a sense of collective guilt, a desire to make amends for the historical marginalization of African American artists. Yet, the music itself has proven to be a revelation, resonating deeply with performers and listeners alike. The rediscovery and popularization of Price's compositions have been a particular joy for many Black artists, who see it as an opportunity to celebrate and elevate a trailblazing figure from their own cultural heritage.
Unearthing Forgotten Gems
A prime example of this resurgence is the recent album "Beyond the Years: Unpublished Songs of Florence Price," featuring soprano Karen Slack and pianist Michelle Cann. This recording showcases 19 previously unpublished songs by Price, most of them receiving their world premiere recordings. The album is a labor of love, a testament to the enduring power of Price's music and the dedication of the artists who bring it to life.
As one listens to the album, the consistency of Slack's powerful mezzo-soprano voice lends a sense of cohesion, almost evoking a song cycle. The melodies seamlessly blend elements of the late Romantic era, the European art song tradition, and the rich influence of American spirituals, as exemplified in the title track. The diverse range of poetic sources, from Lord Byron to Harlem Renaissance poets, further underscores the breadth and depth of Price's creative vision.
A Collaborative Triumph
Beyond the Years is billed as Karen Slack's first "solo" recording, but pianist Michelle Cann's contribution is equally integral to the album's success. Cann's rich, forthright playing not only showcases Price's harmonic mastery but also serves as an ideal complement to Slack's vocal artistry. Cann's long-standing advocacy for Price's work, including her acclaimed recordings of the composer's piano quintets and concerto, has been instrumental in bringing this forgotten musical treasure to the forefront.
The nonprofit organization ONEcomposer, dedicated to "telling the stories of historically excluded musical voices," also played a crucial role in the creation of this album. Their involvement underscores the collaborative nature of this project, a true labor of love that celebrates the enduring legacy of Florence Price.
Timeless Melodies, Timely Rediscovery
As Slack eloquently explains, the album's title, "Beyond the Years," was chosen because these compositions, though written before the artist's birth, feel remarkably fresh and contemporary. Price's music has transcended the constraints of time, resonating with modern audiences and artists alike. Good music, it seems, is indeed timeless, and the rediscovery of Florence Price's work is a testament to the enduring power of artistic expression.
The release of "Beyond the Years: Unpublished Songs of Florence Price" from Karen Slack and Michelle Cann on the Azica Records label is a significant milestone in the ongoing Florence Price revival. It not only shines a spotlight on the composer's remarkable talent but also serves as a rallying cry for the continued exploration and celebration of her enduring musical legacy.