In a unique blend of art and urban planning, schoolchildren from Oxford are revisiting a nearly century-old musical theater experiment to reimagine what a city could look like if children were in charge. This innovative project not only celebrates creativity but also highlights the importance of young voices in shaping future communities. The performance titled "Let's Build a Town" will feature both original compositions and new pieces created by the students themselves, reflecting their aspirations for cleaner air, vibrant natural landscapes, and empowered governance. By connecting past and present through music, this initiative fosters dialogue on contemporary issues such as housing, transportation, and environmental sustainability.
In the heart of Oxford, during the golden hues of an autumn evening, approximately 50 students from St Francis Primary School prepared to stage a remarkable production at St Edward’s School. This event revives a pioneering work originally composed by German musician Paul Hindemith in 1931, which was first performed in the historic Holywell Music Room. The modern adaptation involves not only recreating scenes from the original piece but also incorporating fresh ideas generated by today's youth. Key collaborators include independent concert series Music at Oxford and the University of Oxford’s Cultural Programme, ensuring a rich educational experience.
Dr Giles Masters, a respected music historian, emphasized how vital it is to listen to younger generations when considering long-term societal impacts. He noted intriguing similarities between the transformative decades of the 1930s and the 2020s in Oxford, particularly regarding population shifts due to industrial growth and current debates over infrastructure development. To enhance engagement, the show incorporates interactive elements inspired by Hindemith's methods, encouraging playful exploration among participants. According to Felicity Newby-Smith, learning manager at Music at Oxford, these additions aim to restore some spontaneity lost in earlier interpretations while aligning with today’s more inclusive attitudes towards child performers.
The children involved expressed pride in their contributions, delight in mastering new skills, and confidence in expressing personal preferences—such as eliminating politicians or enjoying sunrises in their ideal towns. Their enthusiasm underscores the value of integrating fun into educational endeavors, promoting holistic development alongside artistic achievement.
Through this project, bridges are being built between academic institutions and local residents, fostering mutual understanding and cooperation. As Dr Masters observed, such initiatives strengthen community ties while nurturing future leaders capable of addressing complex challenges.
This initiative reminds us that involving all age groups in discussions about urban living can lead to richer outcomes. It encourages adults to reconsider traditional approaches and embrace diverse perspectives, ultimately benefiting society as a whole. Moreover, it demonstrates the power of arts education in empowering individuals to think critically and act responsibly within their environments.