In the spring of 2001, WTTW News conducted an insightful interview with the legendary musician and recording engineer Steve Albini at his Electrical Audio studio. This conversation, rediscovered nearly two decades later, offers a rare glimpse into the mind of a man who profoundly influenced both the music industry and its culture. Albini's untimely passing in May left a void in Chicago’s vibrant music scene and among fans worldwide. The interview captures Albini’s candid reflections on the music business, his views on career versus vocation in music, and Chicago's unique role in the music world.
A Candid Conversation with Steve Albini
On a crisp autumn afternoon in 2001, WTTW News visited the Electrical Audio studio for a special report on Chicago's local music scene. At 39 years old, Albini was already a revered figure in the music industry, having worked with iconic bands like Nirvana, the Pixies, and PJ Harvey. Despite his reputation for sharp commentary, Albini welcomed the crew with warmth and generosity, serving strong coffee while his Italian greyhound frolicked around the studio.
During the interview, Albini shared his thoughts on the music industry's structure, emphasizing the importance of separating one's passion for music from the pursuit of a career. He argued that expecting a sustainable living from music often leads to disappointment, advocating instead for music as a pure form of creative expression. Albini also critiqued the mainstream music business model, which he saw as exploitative, benefiting labels before artists. In contrast, he praised the independent label tier for its more honorable treatment of musicians.
Albini further discussed Chicago's significance in the music world, noting its central geographic location and rich history in genres like blues, soul, and experimental music. He highlighted the city's deep infrastructure for making music, including numerous venues, rehearsal spaces, and skilled technicians. While acknowledging the scene's potential to feel overwhelming, Albini emphasized its accessibility compared to other major music hubs.
The interview provides a poignant reminder of Albini's wisdom and candor, offering valuable insights for aspiring musicians and music enthusiasts alike. His perspective encourages a reevaluation of the relationship between art and commerce, urging artists to prioritize their passion over financial gain.
From this dialogue, we gain a deeper appreciation for Albini's legacy. His words remind us that true artistic fulfillment comes not from external validation but from the intrinsic joy of creating. For those in the music industry, Albini's advice serves as a guiding principle: pursue music for love, not for fame or fortune. In doing so, one can find lasting satisfaction and respect within the community.