Embark on a musical odyssey that spans three centuries, featuring world-class artists from around the globe. The Salish Sea Early Music Festival returns with an innovative and diverse lineup, showcasing the evolution of early music from the 16th to the 19th century. From chansons to concerti, this festival promises an unforgettable experience for music enthusiasts and newcomers alike.

Experience the Richness of Early Music in Every Note

The Birth of Canzona: A Musical Renaissance

The origins of the canzona lie in the early 16th-century chansons, which evolved into the intricate Baroque sonatas of the 17th century. This transformation is beautifully illustrated by the return of "Canzonettes" after two years, presenting an entirely new program. Special guest Tina Chancey, a renowned Renaissance specialist and improviser from Hesperus in Washington, D.C., adds her expertise to this unique performance. Her presence enriches the program, offering listeners a glimpse into the historical development of this genre.The canzona's journey through time showcases the innovation and creativity of composers who pushed the boundaries of musical expression. By exploring the roots of this form, audiences gain a deeper appreciation for the artistry involved in crafting these masterpieces. Each piece performed not only entertains but also educates, providing insight into the cultural and social contexts of the era.

A Chaconne Celebration: Timeless Melodies Reimagined

Les Voix Humaines, the celebrated duo from Montreal, brings their virtuosity to the stage with a program centered on the chaconne. This dance form, popularized during the Baroque period, has captivated audiences for centuries. Performing alongside harpsichordist Elisabeth Wright and baroque flutist Jeffrey Cohan, they extend their repertoire from the early 17th century through Johann Sebastian Bach's compositions.The chaconne's repetitive bass line serves as a foundation for elaborate variations, allowing musicians to showcase their technical prowess and interpretative skills. Through this performance, listeners are transported to a time when music was not just entertainment but a profound expression of human emotion. The collaboration between these artists highlights the enduring appeal of the chaconne, proving its relevance even today.

Trio Sonata Masterpieces: Harmonious Collaboration

The trio sonata, a cornerstone of Baroque chamber music, takes center stage in this segment. Featuring Bernward Lohr on harpsichord, Anne Röhrig on violin, Susie Napper on viola da gamba, and Jeffrey Cohan on baroque flute, this ensemble performs works by Georg Philipp Telemann, Louis-Gabriel Guillemain, and Jean Baptiste Quentin le jeune. These pieces exemplify the complexity and beauty of trio sonatas, where each instrument contributes equally to create a harmonious whole.This performance delves into the intricacies of trio sonatas, revealing the interplay between melody and harmony. It showcases how composers like Telemann and Guillemain crafted music that transcended mere entertainment, becoming a reflection of the intellectual and artistic currents of their time. The collaboration between these musicians underscores the importance of balance and unity in creating compelling musical experiences.

A European Tour: Cultural Diversity in Sound

Travel through a century of musical transformation and diversity with Olena Zhukova on harpsichord and Jeffrey Cohan on baroque flute. This program explores the rich tapestry of compositions from France, Italy, Scotland, Germany, and Ukraine, spanning the Baroque and Classical periods. Each decade brings new innovations and styles, reflecting the changing cultural landscapes of Europe.From the ornate elegance of French court music to the robust rhythms of Ukrainian folk tunes, this tour offers a comprehensive overview of European musical traditions. Audiences will be treated to a wide range of sounds and emotions, highlighting the interconnectedness of different cultures through music. The performances reveal how composers drew inspiration from various sources, resulting in a vibrant and eclectic musical heritage.

Courtly Elegance: Music of Louis XIV’s Reign

Step into the opulent world of Louis XIV's court with Caroline Nicolas on viola da gamba, William Simms on theorbo and baroque guitar, and Jeffrey Cohan on baroque and renaissance flutes. This program features music designated for the king's bedtime, evening concerts, and banquets, composed by luminaries such as Jean-Baptiste Lully, Élisabeth Jacquet de La Guerre, Marin Marais, and Jacques Hotteterre.The court of Louis XIV was a hub of artistic activity, where music played a central role in daily life. Performances were not just for entertainment but also served as a means of political and social expression. The music of this era reflects the grandeur and sophistication of the French monarchy, capturing the essence of a bygone age. Through this performance, audiences can experience the elegance and refinement of courtly music, transporting them to the halls of Versailles.

Concerti from Frederick the Great’s Court: A Royal Legacy

Frederick the Great, King of Prussia, was a patron of the arts and an accomplished flutist himself. This program, featuring David Schrader on harpsichord, Jeffrey Cohan on baroque flute, Elizabeth Phelps and Courtney Kuroda on baroque violins, and Lindsey Strand-Polyak on baroque viola, presents concerti by CPE Bach, Johann Joachim Quantz, and Frederick himself. These works reflect the refined tastes of the Prussian court, where music was both a source of pleasure and a symbol of power.The concerti highlight the collaborative spirit of the era, showcasing the interplay between soloists and ensemble. They demonstrate the technical brilliance and emotional depth of Baroque music, inviting listeners to appreciate the craftsmanship of these compositions. The inclusion of pieces by Frederick the Great adds a personal touch, revealing the king's passion for music and his contributions to the field.

Beethoven’s Chamber Ensemble: Flute, Viola, and Guitar

Elizabeth Blumenstock on viola, Oleg Timofeyev on 7-string guitar, and Jeffrey Cohan on 8-keyed flute bring Beethoven’s chamber music to life. This ensemble was popular during the composer's lifetime, and their performances offer a fresh perspective on his work. The combination of flute, viola, and guitar creates a unique sound palette, enhancing the expressive qualities of Beethoven’s compositions.The intimate setting of chamber music allows for a more personal connection between performers and audience. Each instrument contributes its own voice, weaving together a rich and layered musical narrative. This program celebrates the versatility of Beethoven’s writing, showcasing his ability to craft intricate yet accessible pieces that resonate with listeners across generations.

Bach’s Genius: Flute and Harpsichord Duets

Spanish harpsichordist Irene Roldàn and Jeffrey Cohan on baroque flute present Johann Sebastian Bach’s masterpieces for flute and harpsichord. These duets exemplify Bach’s unparalleled skill in counterpoint and harmony, creating a dialogue between the two instruments that is both challenging and rewarding.Bach’s music continues to inspire musicians and audiences worldwide, its timeless quality ensuring its place in the canon of Western classical music. This performance invites listeners to explore the depths of Bach’s genius, revealing the layers of meaning and emotion embedded in his compositions. The collaboration between Roldàn and Cohan brings out the full richness of these works, making them accessible and engaging for all.