A Film that Expands Your Vision in a Claustrophobic World
Family in a Post-Apocalyptic Bunker
In a world turned to a frozen hellscape aboveground, a father (Michael Shannon), a mother (Tilda Swinton), and their companions take shelter in a bunker. They have fashioned a luxurious sarcophagus with antiques from around the world, believing they can endure. The son (George MacKay), with his elaborate train set reflecting his parents' teachings, spends his time here.
Even as they thrive in their limited opulence, the family faces unexpected challenges when Mary (Moses Ingram), a refugee, enters their lives. Their decisions and the unfolding events bring out different sides of each character.
Character Dynamics and Emotions
Tilda Swinton is her usual inscrutable self as the mother, fearing any emotional outburst. Michael Shannon's intensity suits the father, spending his days writing a corporate memoir. George MacKay, after his role in 1917, gives a nuanced performance as the naïve manchild.
Moses Ingram stands out as the best singer, observing the oddities with a mix of amusement and calculation. The character dynamics add depth to the story and make it a truly engaging watch.
Hope Amidst Desolation
Despite the apocalyptic setting, the film offers a glimmer of hope. It shows that humans can remain human and humane even in the most dire circumstances. The songs, co-written by Oppenheimer and Josh Schmidt, add another layer to the story, with even the whimsy taking on shades of mournfulness.
The family's interactions and the challenges they face make us think about the human spirit and our ability to adapt. It's a story that expands our vision and takes us to places we've never been before.
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