The passing of Pope Francis on April 21 sparked a significant rise in the viewership of Edward Berger’s Conclave, a thrilling depiction of the events surrounding the death of a fictional pope and the cardinals' efforts to select his successor. This film, which received the Best Picture award at the Baftas earlier this year and garnered eight Oscar nominations, saw its streaming time increase from approximately 1.8 million minutes on April 20 to 6.9 million minutes the following day, marking a surge of 283%. Additionally, renewed interest was observed in The Two Popes, a 2019 Oscar nominee starring Jonathan Pryce and Anthony Hopkins, with its viewership spiking by 417%.
Beyond the immediate impact on film viewership, the cast of Conclave expressed heartfelt sentiments towards Pope Francis during their awards season engagements. Key Italian actors Isabella Rossellini and Sergio Castellitto were vocal in their admiration for the pontiff, while Martin Scorsese paid tribute to him as a remarkable individual who embraced learning and forgiveness. Adapted from Robert Harris's novel by Peter Straughan, Conclave highlights Cardinal Lawrence's internal struggle amid the secretive process of choosing a new pope.
Following the demise of Pope Francis, there has been a notable increase in the consumption of films centered around papal themes. Edward Berger's Conclave, a gripping portrayal of the conclave proceedings after the death of a pope, experienced a dramatic rise in viewership. The film's timely release coincided with real-world events, including the pope's hospitalization due to kidney failure in late February. This alignment drew further attention to the storyline, resonating deeply with audiences worldwide.
The surge in interest is not merely a reflection of public fascination with religious hierarchy but also an acknowledgment of the profound influence of the Catholic Church globally. The film's narrative intricately weaves through themes of faith, doubt, and leadership, mirroring the complexities faced by the characters. As Cardinal Lawrence navigates the challenges of guiding the selection process, viewers are drawn into a world where personal convictions collide with institutional demands. The adaptation from Robert Harris's novel by Peter Straughan adds layers of depth, enriching the cinematic experience with nuanced storytelling and compelling character arcs.
As news of Pope Francis's passing spread, it prompted reflections within the film industry, particularly among those involved in Conclave. The ensemble cast, including Ralph Fiennes, John Lithgow, and Stanley Tucci, frequently addressed questions about the pontiff's health during promotional events. Notably, Italian actors Isabella Rossellini and Sergio Castellitto extended heartfelt wishes for the pope's well-being, highlighting the close relationship Italians share with the Vatican. Their comments underscored the cultural significance of the papacy in Italy and beyond.
Martin Scorsese, Rossellini's former husband, joined others in paying tribute to Pope Francis, describing him as a beacon of wisdom and goodness. His remarks emphasized the pope's commitment to learning and enlightenment, qualities that resonated throughout his life and ministry. These tributes reflect the broader impact of Pope Francis's leadership on both religious and secular communities. For audiences engaging with films like Conclave, the timing of these events offers a poignant backdrop, enhancing the relevance and emotional resonance of the storylines. Through such narratives, the complexities of faith and leadership continue to captivate and inspire global audiences.