The University Opera's upcoming production of Stephen Sondheim's A Little Night Music, set in early 20th-century Sweden, explores themes of love, jealousy, betrayal, and surprise. Directed by David Ronis and conducted by Oriol Sans, this musical will feature a talented ensemble of students accompanied by the UW-Madison Symphony Orchestra. Meanwhile, the Mead Witter School of Music's Changemaker Series continues to bring innovative musicians to Madison, offering unique experiences for both students and the community.
Reviving Classics with Fresh Perspectives
The University Opera's adaptation of A Little Night Music promises an engaging portrayal of complex relationships and emotions. Set during the longest night of the year, the story revolves around actress Desirée Armfeldt, whose past and present entanglements drive the plot. The show’s director, David Ronis, believes this production challenges students vocally and dramatically, pushing them to new heights in their performances. The inclusion of classical elements, inspired by Ravel's waltzes, adds depth to the music, making it suitable for classically trained voices.
Originally based on Ingmar Bergman's 1955 film Smiles of a Summer Night, Sondheim's musical has seen various interpretations over the years, including notable performances by Angela Lansbury and Elizabeth Taylor. However, the University Opera's production aims to provide a fresh, contemporary take on this classic, showcasing young talent while maintaining the integrity of the original work. Songs like “A Weekend in the Country” highlight the intricate vocal arrangements that require precise diction, adding to the show's complexity and charm.
Innovative Music Initiatives Enriching the Community
The Mead Witter School of Music's Changemaker Series, initiated by Director Dan Cavanagh, brings cutting-edge musicians to Madison, broadening the horizons of students and community members alike. Funded by Pamela O. Hamel and the School of Music’s Board of Advisors, the series features artists who push the boundaries of contemporary music. In 2024, the series welcomed Jamar Jones, Angela Brown, Curtis Stewart, and Patrice Rushen, who not only performed but also engaged with students and the public through workshops and discussions.
This initiative has fostered collaborations with local music groups, such as the Wisconsin Chamber Orchestra, enhancing the city's cultural landscape. For instance, Patrice Rushen collaborated with the WCO on the “Musical Landscapes in Color” project, which highlights works by living composers of color. The series continues with cellist/composer Andrew Yee, known for his insightful and joyful interpretations of J.S. Bach. Cavanagh emphasizes the importance of these interactions, stating that they deepen the understanding of music's role in exploring human experiences. The Changemaker Series is set to continue, ensuring that Madison remains a vibrant hub for musical innovation and creativity.