In 1985, while "Back to the Future" captivated global audiences with its groundbreaking take on time travel, other films in the science fiction genre carved their own niche. These works, though often overlooked at the time, have since developed passionate followings. From Stuart Gordon's grotesque yet hilarious "Re-Animator," Terry Gilliam's dystopian masterpiece "Brazil," and Wolfgang Petersen's underappreciated "Enemy Mine," this year showcased a diverse range of storytelling techniques and thematic explorations. Other notable entries include "The Quiet Earth," which delves into isolation; "Cocoon," focusing on rejuvenation; Larry Cohen’s satirical "The Stuff"; Tobe Hooper's bizarre "Lifeforce"; and Joe Dante's whimsical "Explorers." Together, these films highlight the creativity and innovation that defined sci-fi cinema during the mid-1980s.
One standout film from 1985 is "Re-Animator," directed by Stuart Gordon. Rooted in H.P. Lovecraft-inspired horror, this movie tells the story of Herbert West, portrayed brilliantly by Jeffrey Combs, a medical student obsessed with reviving the dead through an experimental serum. The film revels in its over-the-top gore and pitch-black comedy, showcasing impressive practical effects. Its cult status was cemented not only by sequels like "Bride of Re-Animator" but also by its ability to blend absurdity with genuine tension. Gordon’s direction thrives on embracing the chaotic energy inherent in B-movies, making it unforgettable for fans of the genre.
Terry Gilliam’s "Brazil" offers a stark contrast to the more straightforward narratives typical of sci-fi blockbusters. Set in a bureaucratic nightmare world, the film follows Jonathan Pryce as Sam Lowry, a low-level government employee caught between his fantastical daydreams and grim reality. Gilliam's visual style, combined with elements reminiscent of George Orwell's writing, critiques oppressive regimes and societal conformity. Although initially met with lukewarm reception due to its lengthy runtime, "Brazil" has grown into a revered classic appreciated for its intricate layers of meaning and striking visuals.
"Enemy Mine," directed by Wolfgang Petersen, explores themes of unity and overcoming prejudice within a thrilling sci-fi framework. This tale focuses on Willis Davidge (Dennis Quaid), a human pilot stranded with Jeriba Shigan (Louis Gossett Jr.), a reptilian alien. Through their reluctant partnership, the two characters navigate survival while developing mutual respect. Despite being overshadowed commercially by other releases, the film boasts strong performances and thoughtful commentary about coexistence, proving Petersen’s versatility as a filmmaker.
New Zealand’s contribution to this lineup comes via "The Quiet Earth," directed by Geoff Murphy. Centered around Zac Hobson (Bruno Lawrence), who awakens alone after humanity mysteriously vanishes, the narrative examines loneliness and resilience. As additional survivors emerge, including Joanne (Alison Routledge) and Api (Pete Smith), tensions arise concerning trust and cultural differences. Adapted from Craig Harrison’s novel, the film concludes ambiguously, leaving viewers pondering existential questions about human nature and connection.
Ron Howard’s "Cocoon" stands out for its heartwarming exploration of aging and renewal. A group of retirees discovers a mysterious pool containing glowing cocoons capable of restoring youth. Featuring memorable performances by Don Ameche, Wilford Brimley, and others, the film balances humor and poignancy effectively. While some special effects appear dated today, the overall message remains timeless, resonating deeply with audiences seeking inspiration regarding life’s inevitable cycles.
Larry Cohen’s "The Stuff" takes a satirical approach to consumer culture, presenting a sweet yet sinister dessert substance that enslaves those who consume it. Michael Moriarty stars as an investigator determined to uncover its origins, leading to moments both hilariously absurd and genuinely unsettling. By critiquing mass marketing tactics, Cohen crafts a unique cautionary tale wrapped in campy entertainment.
Tobe Hooper’s "Lifeforce" embraces excess with gusto, combining vampire lore with interstellar adventure. Featuring provocative imagery and explicit content, particularly involving Mathilda May’s character, the film polarized critics and audiences alike. Nevertheless, its audaciousness appeals to enthusiasts of unapologetically wild cinema experiences.
Finally, Joe Dante’s "Explorers" channels youthful wonder and ingenuity. Following three boys constructing a spaceship from salvaged parts, the film captures childhood ambition vividly. Although its second act falters slightly when introducing alien visitors, the charm of young leads Ethan Hawke and River Phoenix keeps the spirit intact. Overall, "Explorers" celebrates imagination and curiosity, reminding us why sci-fi endures as a beloved genre.
Though overshadowed by blockbuster successes in 1985, these films collectively demonstrate the richness and diversity possible within science fiction. Each brings something distinct—whether it be thought-provoking ideas, visceral thrills, or heartfelt emotion—ensuring they remain relevant decades later. Their endurance reflects how great art transcends initial commercial performance, connecting instead with generations willing to embrace unconventional visions.