In this cinematic exploration of grief and its myriad manifestations, Marianne Jean-Baptiste delivers a performance that has rightfully earned widespread acclaim. As Pansy Deacon, a character whose fury transcends words and manifests through actions, she crafts a portrayal that resonates deeply with audiences. The film by Mike Leigh focuses on two sisters grappling with the aftermath of their mother's passing, each responding to loss in starkly contrasting ways. While one sister seeks solace in family bonds and community ties, the other retreats inward, embodying a broader narrative of societal and class tensions within contemporary Britain.

Set against the backdrop of post-Brexit Britain, the film delves into the complexities of human emotion, particularly how individuals navigate profound sorrow. Pansy’s emotional unraveling reflects deeper cultural unrest, yet Leigh’s focus remains universal—examining how people confront and endure loss. Through Michele Austin's portrayal of Chantelle, the sister who embraces familial support and communal connections, a vivid contrast emerges, highlighting different coping mechanisms. This dynamic underscores the universality of grief, which can manifest uniquely for each individual.

Jean-Baptiste's interpretation of Pansy brings forth an intense study of unspoken emotions, suggesting that her character's anguish stems not from a singular traumatic event but rather from a lifetime of accumulated pain. Her performance captures the raw essence of internalized suffering, inviting viewers to reflect on their own experiences with loss and resilience.

As the story unfolds, it becomes clear that both sisters' journeys represent distinct paths through grief—one outwardly expressed and supported, the other silently endured and isolated. This duality serves as a poignant reminder of the varied ways humans process and overcome life's most challenging moments. Ultimately, the film leaves audiences contemplating the intricate interplay between personal struggles and societal contexts, enriched by Jean-Baptiste's compelling depiction of Pansy's complex inner world.