Niamh Regan's "Come as You Are" has truly left an indelible mark. The songwriting is nothing short of extraordinary. These tunes have a way of sneaking up on you and captivating your heart. It's as if you can envision these songs being played on the grand stages of Nashville, becoming chart-topping hits. The album explores the intricacies of relationships with a raw honesty that pierces through. And when you finish listening to it, you find yourself putting it on again, just to soak in its brilliance. This album is undoubtedly one of the year's standouts.
Prince Far I's "Cry tuff Chants On U" on U Sound's compilation for Record Store Day has become a staple on my turntable. It has a dark and deep aura that draws you in. During Halloween fireworks, "The Voice of Thunder" is perfect for keeping your dogs calm. They become zen with Far I's music. And my dog's favorite track? Dreadlock Soldier. This album has a unique charm that keeps me coming back for more.
Realistic IX's "Belong" is a gem that Joey Wilson from FKOS introduced me to. We were instantly hooked on each release, with "Common Era" becoming an obsession. They are the epitome of minimalism in the music world and don't chase after promotional stardom. I had the chance to see them play with Ariel Pink at Conway's of Parnell Street, a gig that left a lasting impression. This follow-up to "CE" is as understated as you'd expect but equally brilliant.
Playing with The The in Collins Barracks was a highlight of my year. The The's performance was nothing short of amazing, and the entire day was a perfect musical journey from start to finish. Thanks to Fin O'Leary for making it an unforgettable experience.
Seeing Christy Moore perform in Vicar Street multiple times this year was a truly special treat. His shows in January, July, and recently for his album launch were all remarkable. Waking up at 6 a.m. on the release day and listening to "A Terrible Beauty" before work was a lovely start. The song "Boy in the Wild" with his son's beautiful harmonies is heartbreaking, and it segues into the haunting "Sunflowers," creating an opening that is truly unforgettable. At 79 years old, he continues to make great music.
I've yet to see Gurriers play live, but their album "Come & See" is a testament to their talent. Dan (Hoff) in The Innocent Bystander caught my attention with his powerful voice and addictive refrains. The band's rhythm is exceptional, and their guitar sounds and riffs are unusual and placed in a way that leaves a lot of space. It's a unique sound that sets them apart.
Joe Chester's "Murder of Crows" re-issue on vinyl is a classic pop album. It's one of my top 3 Joe Chester albums, along with "Easter Vigil" and "Lucia." Seeing him perform "A Safe Place to Hide" with Gemma Hayes and the RTE Concert Orchestra at the Culture Night in the Mansion House was a moment to remember. All the performers on that night were brilliant.
In The Meadows in Kilmainham was a great festival. It's in the heart of Dublin, with stages close by, allowing you to catch a bit of everyone. The sunshine added to the charm, and the stage was perfectly positioned. Seeing Mogwai live was a highlight, although they could have been a bit louder. Lankum blew us all away with their genius as the night fell.
Vicar Street remains the best venue in the world. Headlining it was a dream come true for us. The energy in the room when 1300 people were singing along was powerful. It's a memory that will last a lifetime.
Bohemia is releasing the 5th-anniversary edition of the D (black & amber vinyl) in December. It's been out of print for a while, and we're excited for its comeback. For now, our only plan is a gig at Vicar Street on Good Friday, April 18th. Who knows what the year will bring? Hopefully, some peace to the world.