The 27th Far East Film Festival (FEFF) in Udine, Italy, celebrated the global impact of Asian cinema with a focus on films from Greater China. Among the highlights was Yihui Shao’s Her Story, a feature dramedy that captured audiences worldwide and clinched the top prize, the Golden Mulberry Audience Award. This feminist-themed film, which grossed nearly $100 million in China, centers around two single women who form an unlikely friendship despite their differing personalities. Other notable mentions include Anselm Chan's The Last Dance, a Hong Kong family drama set during the pandemic, and Yin Lichuan’s Like a Rolling Stone, both receiving significant recognition. The festival also honored Filipino director Janus Victoria and Japanese filmmaker Jojo Hideo for their contributions to debut filmmaking and screenplay excellence.

In a remarkable display of cinematic prowess, Chinese films dominated the FEFF awards. Directed by Yihui Shao, Her Story not only captivated domestic audiences but also resonated internationally. The narrative explores themes of female empowerment through the lives of its protagonists played by Song Jia and Zhong Chuxi. Meanwhile, The Last Dance, directed by Anselm Chan, tells the poignant tale of a wedding planner navigating career changes and existential questions amidst the backdrop of a global health crisis. Featuring an ensemble cast including Dayo Wong and Michael Hui, this film became a box office sensation in Hong Kong. Another standout, Like a Rolling Stone, directed by Yin Lichuan, delves into the journey of self-discovery as a middle-aged woman escapes an abusive relationship.

Beyond these narratives, the festival acknowledged emerging talent and seasoned professionals alike. Filipino director Janus Victoria received the White Mulberry prize for his debut film Diamonds in the Sand. Furthermore, Japanese filmmaker Jojo Hideo was recognized for his compelling screenplay in Welcome to the Village. Lifetime achievement awards were bestowed upon Taiwanese actress and singer Sylvia Chang and renowned Hong Kong director Tsui Hark, underscoring their enduring influence on Asian cinema.

This year’s FEFF featured an impressive lineup of 77 films, including numerous premieres from across the globe. Founders Sabrina Baracetti and Thomas Bertacche expressed gratitude for the overwhelming support from Udine's residents, noting the festival's record-breaking attendance of 65,000 participants. The event showcased the profound cultural exchange facilitated by Asian cinema, leaving a lasting impression on both attendees and the city itself.

As the curtain fell on the 27th edition of the FEFF, it became evident that the festival had achieved more than just showcasing exceptional films. It fostered connections between cultures and highlighted the universal appeal of storytelling. Through the lens of cinema, filmmakers from Asia continue to inspire global audiences, reaffirming the festival's role as a vital platform for artistic expression and cultural dialogue.