From an elegant tribute to George Strait to a string of bad jokes about Shaboozey, the 58th CMA Awards showcased the best and worst of country music. This year's gala was filled with traditional sounds, outdated jokes, and even a pair of winners from the mid-Nineties. While some performances put us to sleep, others reminded us of what country music does best: tell stories with charisma and charm.

Uncover the WTF Moments of the CMAs

Best: Ella Langley and Riley Green Resurrect the Classic Country Duet

At first, it seemed like a skit as Ella Langley rose from her seat and sashayed through the crowd, singing the first verse of "You Look Like You Love Me" with Riley Green. As she made her way to the stage, cameras caught Green popping up to answer her come-hither lines. Their chemistry was electric, and by the time they united in front of a bar onstage, they proved that the CMAs need to give more time to fresh faces. This performance was a standout, making a strong case for the future of country music.The duo's charisma and talent shone through, and their song was a perfect example of what country music can be. It was a moment that had the audience on their feet and reminded us of the power of a great duet.

Worst: Shaboozey Is Treated Like a Punchline

On Wednesday night, the CMAs had the singer of 2024's biggest hit in the building, Shaboozey. His "A Bar Song (Tipsy)" is currently enjoying a record-breaking run, yet the non-"Bar Song" part of his performance was limited to just a verse and chorus. And his full performance came early in the night, with co-host Luke Bryan already making jokes about his name.It was a disappointment to see such a talented artist not given the recognition he deserved. Shaboozey's loss of both awards only added to the sense of injustice.

Best: Lainey Wilson Is a Reba-Level Host

Co-hosting for the first time, Lainey Wilson effortlessly slipped into the role of emcee. She exuded charm and grace as she navigated a tired monologue and even endured being lassoed off the stage. Her ability to command a TV broadcast as a performer, with her "4x4xU" being an understated highlight of the night, puts her in the same class as Reba.Wilson's presence added a new energy to the awards show, and we hope the CMA brings her back next year. It's clear that she has the talent and charisma to be a legacy host.

WTF: Morgan Wallen, Other A-Listers, Are MIA

This year, country music's crossover pop appeal has never been higher, with artists like Beyoncé, Zach Bryan, and Tyler Childers making waves. But none of these big names were at the CMAs last night. Instead, the show seemed to focus on a certain set of artists who play by the industry's rules.It's a reminder that the "country music family" has its own set of criteria, and not all of the biggest stars are welcome. It's a strange dynamic that leaves us wondering what the future holds for country music.

Best: Kacey Musgraves Puts on a Masterclass

During a year when the CMAs leaned towards more traditional, ballad-forward performances, Kacey Musgraves showed everyone how to hold attention with just a guitar and a voice. Her performance of "The Architect" was a stripped-back masterpiece, as she pondered mortality and existence.Musgraves' ability to connect with the audience on a deep level is what makes her a true artist. Her song was a reminder of the power of simplicity and authenticity in country music.

WTF: What's With All the Reruns?

Unlike the Grammy Awards, the CMAs decided to give viewers more than one song by the leading contenders. While this may seem like a good idea, it often led to overkill. Chris Stapleton was awarded three slots, while Jelly Roll and Post Malone were given two each.It would have been nice to see more of the hot new artists, like Zach Top or the Red Clay Strays. Instead, we got more of what we'd already seen before, leaving us longing for something new.

Best: Bailey Zimmerman Stages a Frat Party Fever Dream

As the show entered its final hour, Bailey Zimmerman provided the much-needed energy with his performance of "New to Country". The Illinois native was lowered from the rafters onto a stage that looked like a frat party dream.There was a beer-pong table, dudes in flannels, and a band dressed all in white. It was a wild and fun performance that reminded us of the joy of country music. The appearance of pro wrestler the Big Show added to the excitement, making it a memorable moment.

Worst: Post Malone Needs a Lozenge

Post Malone's show-opening duet with Chris Stapleton was decent, but his performance of "Yours" was a different story. His raspy voice and occasional off-key moments turned a poignant song into a difficult listening experience.It was clear that he was singing live, but his performance lacked the polish and precision that we've come to expect from him. It was a reminder that even the biggest stars can have off days.

WTF: Brooks & Dunn, Who Haven't Put Out an Album of New Songs Since 2007, Win Duo of the Year

The CMA's Duo of the Year category has been a cursed one, with the same acts nominated for years. This year, Brooks & Dunn, whose last record of new material came out when George W. Bush was president, won a surprise victory.While they are legends, it's time to pass the torch to more contemporary acts that are pushing the genre forward. It's a reminder that the CMAs need to stay relevant and embrace new talent.

Best: Legends Get the Tributes They Deserve

The lifetime achievement medley at the CMAs was a highlight this year. A medley of George Strait songs, delivered by Miranda Lambert and Parker McCollum, was sharp and succinct. Even Strait's 2008 "Troubadour" was a fitting homage.The one-song tribute to Kris Kristofferson, who passed away in September, was even more powerful. Ashley McBryde's sparse rendition of "Help Me Make It Through the Night" showed just how much the late legend has influenced the next generation.It was a reminder of the importance of honoring the legends of country music.