A fresh addition to the Scandinavian music scene, the Norwegian folk label Krets has made a striking entrance with its inaugural release. This compilation, rooted in the rugged landscapes of Rogaland, offers an unconventional collection of songs, dances, ballads, and psalms that challenge traditional boundaries. The duo behind this project, Malmin, consisting of experimental musician Anders Hana and instrumentalist Olav Christer Rossebø, draw inspiration from the region's elders, whose performances delve deep into the human soul. The nine tracks feature a blend of haunting melodies and intense rhythms, performed on unique instruments like eight-string harding fiddles and microtonal mandolins. Accompanied by Åshild Vetrhus’s powerful vocals, the album presents a compelling mix of styles, ranging from lively dances to somber hymns. While some may find it jarring, this release stands out as a bold statement in a world dominated by mood-driven music.

The creation of this album is a testament to the rich cultural heritage of Rogaland. Malmin, the duo at the heart of this project, have carefully curated pieces that reflect the raw emotion and depth of the region's musical traditions. They were particularly influenced by the performance styles of local elders, who pursued a connection with the essence of human experience without restraint. This pursuit is evident in the nine tracks that make up the album. Each piece carries a distinct character, shaped by the unique instrumentation used. For instance, the Hallingkule dance exhibits a fierce energy through its repetitive cyclical patterns, while Vinjavalsen offers an ethereal shimmer played on the langeleik, a zither-like instrument. These recordings are sourced from early-to-mid 20th-century archives, preserving the authenticity of the sounds.

Vetrhus, known for her expertise in funeral dirge singing, adds a remarkable dimension to several tracks. Her vocal presence ranges from straightforward and forceful to delicately intertwined with the instrumental layers. On the opening medley, her voice commands attention with its clarity and strength. In Grønn Står Skogen, her breaths intertwine with the melody, evoking a profound sense of longing. The final two tracks, based on religious texts, showcase her ability to convey humility and sincerity. Despite the lack of concessions to comfort, Vetrhus’s mastery of various styles enhances the overall impact of the album. Malmin playfully question how this set will fit into a world obsessed with mood music, but its uniqueness only adds to its appeal.

Beyond the captivating debut of Krets, the month also brings other notable releases. Lisa Knapp and Gerry Diver’s Hinterland explores themes of love and nature through a mix of songs and spoken-word pieces. Jim Ghedi’s Wasteland presents a dystopian narrative with a blend of traditional and original compositions. Meanwhile, A Collection of Slow Airs by Some Very Fine Fiddlers offers a compilation of melancholic and contemplative instrumentals, further enriching the folk music landscape. Together, these releases highlight the diversity and creativity within the genre.