British musician and DJ Matthew Herbert has carved a unique path in the world of electronic music, known for his innovative approach to sound. His work extends beyond the studio, with collaborations on iconic film and TV scores. Recently, he composed for Rebecca Lenkiewicz’s debut feature "Hot Milk," which premiered at the Berlin Film Festival. This article explores Herbert’s journey into film scoring, the challenges he faces, and his philosophy on creating impactful soundtracks.

The Evolution of a Composer

Herbert’s career began with a focus on electronic music, marked by his 2003 manifesto that eschewed traditional drum machines. He later ventured into film and television, collaborating with renowned directors and artists. His breakthrough came with Justin Kerrigan’s "Human Traffic" in 1999, followed by several projects before taking a hiatus after a challenging experience. Sebastian Lelio’s "A Fantastic Woman" brought him back into the limelight, earning an Oscar for Best International Feature Film. Since then, Herbert has been in high demand for his unique ability to transform everyday sounds into compelling musical narratives.

Herbert’s entry into film scoring was somewhat serendipitous. After studying drama at university, he began composing for student films. His first significant opportunity came with "Human Traffic." Despite early successes, a difficult project led him to take a break. However, Lelio’s call for "A Fantastic Woman" reignited his passion. The film’s success opened doors to more opportunities, including scoring for "The Responder" and "Noughts and Crosses." Each project presented new challenges, but also allowed him to refine his craft, blending his electronic roots with orchestral elements.

The Art of Film Scoring

Creating music for film and television is both easier and harder than producing standalone tracks. On one hand, the narrative framework provides a clear direction. On the other, it demands collaboration and compromise, serving the director’s vision while enhancing the story. Music often becomes the final layer, expected to fix any lingering issues from production. This collaborative process can be rewarding when everyone aligns, yet challenging when differing visions clash.

A well-crafted score should not merely mirror the on-screen action but add depth and nuance. A poor score can feel redundant or even patronizing, telling the audience how to feel. In contrast, a good score acts as a distinct character, guiding the audience through the emotional landscape. For "Hot Milk," set in Spain, Herbert aimed to capture the dreamy, hallucinogenic quality of the story without relying on clichéd Spanish motifs. The score needed to reflect the protagonist’s internal conflict—her desire for freedom juxtaposed with her attachment to her ill mother. Balancing ambiguity and grounding was crucial to evoke the right atmosphere without unsettling the audience. Through meticulous use of found sounds and subtle instrumentation, Herbert created a soundscape that supports the narrative without overpowering it.