In a captivating exploration of film history, renowned filmmaker Guillermo del Toro shares his curated selection of classic films that have shaped the landscape of cinema. Del Toro, celebrated for his unique storytelling in works like "Pan’s Labyrinth" and "The Devil’s Backbone," offers insightful commentary on these masterpieces, revealing their enduring influence and artistic brilliance. His picks not only highlight the technical prowess of directors like Alfred Hitchcock, John Ford, Vincente Minnelli, and Hal Ashby but also delve into the thematic elements that resonate across generations. Through this lens, del Toro invites viewers to appreciate the rich tapestry of cinema, connecting modern audiences with the timeless allure of classic films.

March 2025 TCM Picks: Del Toro’s Selections and Insights

In the crisp, invigorating month of March 2025, Guillermo del Toro returns as a guest curator for Turner Classic Movies (TCM), offering a carefully chosen lineup that showcases the genius of some of cinema’s most revered directors. One of his standout selections is Alfred Hitchcock’s "North by Northwest" (1959). Del Toro praises this film as a "perfect perpetual motion machine," highlighting its seamless blend of comedy, drama, action, and suspense. He draws parallels between Hitchcock’s earlier British films and his American classics, noting how themes of couples navigating treacherous landscapes evolve from "The 39 Steps" to "North by Northwest." Del Toro also points out recurring motifs such as the overbearing mother figure and the transformation of an ordinary hero through extraordinary circumstances.

For St. Patrick’s Day, del Toro selects John Ford’s "The Quiet Man" (1952), a film he describes as one of the most beautiful he has ever seen. The cinematography by Winton Hoch, enhanced by the soft Irish weather, creates breathtaking landscapes that evoke a mythical, primal beauty. This film captures the essence of Technicolor at its peak, blending technique with emotion to create what del Toro calls "pure cinema."

Vivid color schemes continue with del Toro’s next choice, Vincente Minnelli’s "An American in Paris" (1951). Del Toro admires Minnelli’s mastery of color and fluid camera work, which complements Gene Kelly’s dynamic dance performances. The film’s energetic style and innovative use of the camera make it a standout musical, culminating in one of the greatest ballet sequences in film history.

Del Toro concludes his selections with Hal Ashby’s "Being There" (1979), a film he considers one of the most perfect political parables ever made. Peter Sellars’ nuanced performance, along with supporting actors like Jack Warden and Shirley MacLaine, brings depth and elegance to this fable about the intersection of power, politics, and chance. Del Toro reflects on how this film remains relevant today, offering profound insights into human nature and societal dynamics.

Through these selections, del Toro not only celebrates the artistry of these films but also underscores the importance of understanding cinema’s evolution. His passion for film history invites viewers to explore these classics, appreciating both their technical achievements and their lasting impact on storytelling. Del Toro’s curation serves as a reminder that great films transcend time, offering timeless lessons and inspiration for future generations.