Mozart's mass for the dead was just one part of the program. Complementing it was Olivier Messiaen's "Les Offrandes Oubliées," a work inspired by Catholic faith and exuding meditative melancholy. Another piece was Gabriela Ortiz's "Tzam," a 2022 composition that highlighted her as an imaginative orchestrator. The orchestra showcased its skills, with the quietest moments made magical by glissandos in the violins, chiming brass, and fluttering woodwinds.
The main attraction of the concert was Mozart's "Requiem," which found its way into pop culture through the 1984 film "Amadeus." While the 87-voice choir sometimes overpowered the orchestra, the four soloists were exceptional. Bass-baritone Dashon Burton demonstrated his talent, bringing power to every phrase. This work is soaked in sadness, and Mozart expressed grief eloquently.
The Minnesota Orchestra has a reputation for going big, having recently released recordings of Gustav Mahler's complete symphonies. This demonstrates their ability to handle large-scale orchestral music. Søndergård's programming choices add to this reputation, showing that he is not afraid to take on challenging works.
His decision to include Mozart's "Requiem" and other works in this concert showcases his artistic vision and his ability to bring out the best in the orchestra. It also highlights the diversity of the Minnesota Orchestra and their ability to perform a wide range of music.