An ambitious theatrical adaptation of the ancient Sanskrit epic, the Mahabharata, has captivated audiences worldwide. Brought to life by Toronto's Why Not Theatre, this production reinterprets Hinduism's foundational text through a contemporary lens. At its heart lies a dynastic conflict over royal succession between two cousin clans. Music plays an essential role in this staging, enhancing the spiritual essence of the narrative. Composer Suba Sankaran shares insights into crafting the score, blending traditional South Asian sounds with modern elements for a unique auditory experience.

For centuries, the Mahabharata has been central to Hindu religious and philosophical thought. Its intricate storyline revolves around a feud between rival branches of a royal family vying for control. Recognizing the importance of music within South Asian storytelling traditions, Why Not Theatre incorporated musical components that elevate the drama's spiritual dimensions. Ravi Jain, one of the project's creators, emphasizes that verbal language alone cannot fully capture the poem's depth; thus, music becomes indispensable in shaping the world portrayed on stage.

Suba Sankaran, co-composer and co-sound designer, brings her expertise in Indian classical music to this endeavor. Born into a musically distinguished family, she collaborates closely with John Gzowski to develop the show's soundtrack. Their approach involves creating both live and pre-recorded compositions tailored to different sections of the play. The first part, titled "Karma," explores themes related to cause and effect, while "Dharma," the second segment, delves into moral duty and obligation.

The musical treatment varies significantly between these two parts. In "Karma," a band format allows for fusion of Indian classical traditions with contemporary instruments such as electric bass and keyboards. This setup enables improvisation during performances, ensuring each rendition remains dynamic and engaging. Conversely, "Dharma" adopts a more conventional method utilizing pre-recorded materials. Here, sampled instruments and digitally manipulated sounds complement Meher Pavri's powerful soprano aria, inspired by the Bhagavad Gita.

Beyond technical aspects, the opera sequence represents a pivotal moment in the production. Instead of relying solely on spoken dialogue, creators Ravi Jain and Miriam Fernandes opted for operatic expression to convey heightened emotions preceding battle scenes. By merging Baroque opera structures with Indian musical characteristics, they achieved an evocative synthesis reflecting the epic's grandeur.

This innovative interpretation concludes with reflective tones underscoring themes of detachment and self-discovery. As characters confront loss and transformation, the accompanying music transitions from vibrant complexity to serene simplicity. Ultimately, the Mahabharata serves not only as a sacred scripture but also as a universal tale addressing timeless questions about human existence and ethical responsibility.