Uncover the Hidden Gems in This Week's Movie Lineup
Nightbitch - A Tale of Overlooked Potential
Marielle Heller's "Nightbitch" presents a central metaphor that is as thunderous as it is obvious. The story follows Amy Adams as an overwhelmed stay-at-home mom who transforms into a dog at night. However, once the film makes its point early on, it seems to coast through the rest of the narrative. The ending is too tidy and happy, lacking the intensity and craziness it could have had. Despite a few highlights like the "Weird Al" Yankovic needle drop, the film is heavily overreliant on certain devices and fails to fully utilize Amy Adams' talent.The performance by Scoot McNairy as the husband is also a mixed bag. In some roles, he shines, while in others, he seems less effective. Overall, "Nightbitch" is a misfire in comparison to Heller's previous works.
The End - A Post-Apocalyptic Musical Masterpiece
Joshua Oppenheimer's directorial debut, "The End", is a hidden gem in the world of cinema. Set in an apocalyptic world, the film follows a family living in an underground bunker. The musical numbers are Broadway-caliber, providing a perfect contrast to the bleak and evil scenes. Tilda Swinton and Michael Shannon deliver outstanding performances, making the directing of such a complex story seem like a breeze.Although the film didn't make a big impression at the fall festivals, it has the potential to become a cult classic. It offers a unique perspective on the human condition in the face of disaster.
Day of the Fight - A Hidden Gem in the Bottom of the Screener Pile
Jack Huston's directorial debut, "Day of the Fight", is a movie that defies expectations. Despite its plot sounding like a parade of cliches, the filmmaking is first-rate. The black and white cinematography, lighting, and music add to the overall atmosphere. Michael Pitt gives a convincing performance as a boxer returning to the ring after prison.The film also features standout performances from a parade of Huston's former co-stars, including Steve Buscemi, Ron Perlman, and Joe Pesci. It shows that even with a simple story, great filmmaking can make a big impact.
The Order - A Timely but Boring Tale
Justin Kurzel's "The Order" tells the story of an FBI agent investigating a white supremacist gang in the 1980s. While the story has its heart in the right place and features a talented cast, it is incredibly boring. The film is more realistic than similar works but lacks the propulsive energy needed to keep the audience engaged.Watching "The Order" can be a zoned-out experience, as it fails to capture the viewer's attention. It is a reminder that even with a great premise, poor execution can lead to a lackluster film.
Hard Truths - Marianne Jean-Baptiste's Outstanding Performance
Mike Leigh's "Hard Truths" features Marianne Jean-Baptiste's single-greatest acting performance of the year. She plays Patsy, a mean and abrasive character who gradually reveals her backstory and gains empathy. Leigh's direction is solid, but it is Jean-Baptiste's performance that steals the show.At 81 years old, Leigh continues to deliver powerful films. "Hard Truths" is a testament to his talent and the ability of actors to bring complex characters to life.
Oh, Canada - Paul Schrader's Late-Career Renaissance
Paul Schrader's "Oh, Canada" is the latest chapter in his late-career renaissance. Richard Gere stars as Leonard Fife, a dying documentary filmmaker who reflects on his life. The film is filled with flashbacks and explores themes of life, death, and redemption.Although the storytelling gets a bit muddled at times, Gere's performance is outstanding. It is clear that Schrader pours his heart and soul into his work, and "Oh, Canada" is no exception.