One of the most prevalent comedic arcs in modern TV is the transformation from cynicism to hope. Take mockumentaries like "The Office", "Parks and Recreation", and "Abbott Elementary". Initially, they serve as pointed critiques of failing institutions. Characters are depicted as various stereotypes - moronic villains, lifeless cogs, right-angle bureaucrats, and more. However, as the shows progress, hope starts to emerge. An acid tongue turns into a sweet tooth, and the meaninglessness of life under capitalism gives way to the profundity of a family formed under its gaze. Shows that began on a bleak note end on a vibrant note. While this joy and satisfaction may uplift viewers, most shows that succumb to this transformation end up being worse for it. It's rare to find a show that maintains its tartness beyond its early stages. For example, "Party Down" is a notable exception.

Taika Waititi's Approach to Comedy

Taika Waititi has been pondering these questions for five years. He is a New Zealand filmmaker who started in the early 2000s with slightly twee, off-kilter dramedies featuring unknown Indigenous actors. After the success of "What We Do in the Shadows" and "Hunt for the Wilderpeople", he got the opportunity to control a Marvel franchise. His "Thor: Ragnarok" was a commercial and critical hit. But as a filmmaker, he squandered some goodwill with ill-advised projects. However, as a television producer, he has shone. He has carefully produced a roster of unique and compelling TV shows. "What We Do in the Shadows", "Reservation Dogs", and "Our Flag Means Death" are defiantly original and freewheeling. Waititi's gift is in finding and trusting writers with alternative visions and getting their ideas on screen.