In the spring of 1928, San Antonio emerged as a vibrant hub for musical discovery, where various artists left an indelible mark on the recording industry. One such figure was Prince Albert Hunt, whose initial recording session in March introduced the world to his energetic performances and laid the groundwork for the lively rhythms of western swing. His rendition of "Blues in a Bottle" from this session remains a testament to his distinctive twang and rhythmic flair.

During this period of creative flourishing, other notable talents also graced the studios. Just days before legendary singer Lydia Mendoza made her debut, the Okeh Records team worked with Texas Alexander, a street performer known for blending traditional folk styles with early blues. Accompanied by Lonnie Johnson's skilled guitar playing, their collaboration showcased a dynamic tension between raw vocals and polished instrumentation. Meanwhile, the Cuarteta Carta Blanca, a local family ensemble renowned for their harmonious melodies, captured timeless tracks like "El Rancho Grande." This familial group provided a platform for young Lydia Mendoza, who would later rise to prominence with her powerful voice.

The diverse sounds recorded in San Antonio that month reflect the rich tapestry of cultural influences shaping Texas music at the time. Although some artists' careers were short-lived due to economic challenges, others achieved lasting success. Lydia Mendoza's eventual triumph with "Mal Hombre" in 1936 demonstrated the enduring impact of these early recordings. The legacy of these sessions continues to inspire musicians today, celebrating creativity, resilience, and the power of music to transcend generations.