Music Supervision as a Time-Traveling Experience
The show’s innovative use of music to bridge different eras is a testament to the duo's ability to evoke nostalgia while staying relevant. By carefully choosing tracks from the '90s and today, they ensure that viewers are transported seamlessly between past and present. This technique not only enhances the storytelling but also creates a sonic backdrop that feels authentic and familiar.
Raval and Wolfe emphasize that their selection process is driven by the overall vibe and tempo rather than specific lyrics. They aim to capture the essence of each era, making sure that every song feels like it belongs in its respective timeline. For instance, the Beastie Boys’ “Pass the Mic” sets the stage for the '90s storyline, while Tommy Richman’s “Million Dollar Baby” anchors the contemporary narrative. This strategic pairing allows the audience to connect emotionally with both time periods.
A Cinematic Approach to Music Supervision
The influence of film direction on the series cannot be overstated. Rob Letterman, one of the creators and directors of "Goosebumps: The Vanishing," brings a cinematic quality to the show that extends into its music supervision. This collaboration results in a wide-open canvas for Raval and Wolfe to experiment with different genres and artists. They describe the experience as akin to working on a movie, where each song choice adds depth and dimension to the story.
This cinematic approach is particularly evident in how the duo selects end-credit songs. These moments are treated with great importance, serving as the final impression left on viewers. Whether it’s a subtle nod to an earlier scene or a powerful track that encapsulates the episode’s theme, the end credits offer a memorable closing note. Occasionally, they even include Easter eggs, like dropping 21 Savage nonchalantly in the background, which later resurfaces at the end, creating a delightful surprise for attentive fans.
Budget and Creative Freedom
One of the key factors contributing to the success of the show’s music supervision is the generous budget allocated for licensing. Unlike many productions that face financial constraints, "Goosebumps: The Vanishing" enjoys substantial support from the studio. This freedom allows Raval and Wolfe to pursue high-profile tracks without hesitation. They can confidently reach for the stars, knowing that their creative vision won’t be compromised by budgetary limitations.
When faced with challenges, such as securing rights for Taylor Swift’s “Down Bad,” the duo takes calculated risks. Placing the song over a four-minute sequence was initially nerve-wracking, but the outcome proved to be a triumph. The approval from Taylor Swift herself validated their instinct, reinforcing the idea that sometimes, taking bold steps leads to remarkable results. This willingness to push boundaries has resulted in a soundtrack that features an eclectic mix of iconic artists, from Nine Inch Nails and Billie Eilish to Doja Cat and St. Vincent.
Blurring Genre Lines for Modern Audiences
In contrast to the strict genre boundaries of the '90s, today’s music landscape is characterized by its fluidity. Raval and Wolfe have embraced this shift, recognizing that modern listeners enjoy a diverse range of genres. Artists like Childish Gambino and Taylor Swift coexist effortlessly within the same series, reflecting the reality that today’s youth listens to a broad spectrum of music. This approach not only captures the current musical trends but also fosters a sense of inclusivity, ensuring that the soundtrack appeals to a wide audience.
The duo acknowledges that while adhering to genre rules for '90s tracks adds authenticity, the freedom to explore contemporary sounds offers new creative possibilities. By blending genres and featuring up-and-coming artists alongside established names, they create a soundtrack that feels fresh and relevant. This balance between nostalgia and innovation is what makes "Goosebumps: The Vanishing" stand out as a compelling and engaging viewing experience.